In the last edition of Mr. Coleridge's poems, (3 vols., 1835) there is a poem, called "The Destiny of Nations, a Vision;"--a sounding title, with which the contents but ill accord. No note conveys information to the reader, what was the origin of this poem; nor does any argument show its object, or train of thought. Who the maid is, no one can tell, and if there be a vision respecting the destiny of nations, it is nearly as confused and incoherent as a true vision of the night; exciting in the mind some such undefined wonderment, as must have accompanied the descent of one of Peter Wilkins' winged Aerials. The reader may here be informed, that the Second book of Mr. Southey's "Joan of Arc," to line 452, as acknowledged, was written by Mr. Coleridge, with the intermixture of 97 lines, written by Mr. Southey, in which there are noble sentiments, expressed in the loftiest poetical diction; and in which also there is a tutelary spirit introduced to instruct and counsel the Maid of Orleans. In the second edition of "Joan of Arc," Mr. Southey omitted the whole of these lines, and intimated to Mr. C. his intention so to do, as early as the autumn of 1795. I advised Mr. Coleridge, from the intrinsic merit of the lines, to print them in the second edition of his poems. To this he assented, but observed, that he must greatly extend them. Some considerable time after, he read me the poem in its enlarged state, calling it "The Progress of Liberty, or the Visions of the Maid of Orleans." After hearing it read, I at once told him, it was all very fine, but what it was all about, I could not tell: that it wanted, I thought, an obvious design, a definite purpose, a cohesion of parts, so as to make it more of a whole, instead of its being, as it then was, profuse, but detached splendour, and exhibiting in the management, nothing like construction. Thus improved, I told him the poem would be worthy of him. Mr. C. was evidently partial to the lines, and said, "I shall consider of what you say, and speak again about them." Amongst my papers I find two or three notes from Mr. C. on this subject, subsequently received. "Stowey. My dear Cottle, If you delay the press it will give me the opportunity I so much wish, of sending my "Visions of the Maid of Arc" to Wordsworth, who lives[31] not above twenty miles from this place; and to Charles Lamb, whose taste and judgment, I see reason to think more correct and philosophical than my own, which yet I place pretty high...." In a succeeding letter Mr. Coleridge says, "My dear Cottle, The lines which I added to my lines in the 'Joan of Arc' have been so little approved by Charles Lamb, to whom I sent them, that although I differ from him in opinion, I have not heart to finish the poem." Mr. Coleridge in the same letter, thus refers to his "Ode to the Departing Year."