Reminiscences of Scottish Life & Character: And a Memoir of Dean Ramsay by Cosmo InnesRamsay, Edward Bannerman
History
Reminiscences of Scottish Life & Character: And a Memoir of Dean Ramsay by Cosmo Innes
Ramsay, Edward Bannerman
National characteristics, Scottish; Scotland -- Social life and customs
There was no doubt sometimes a degree of noise in the psalmody more than
was consistent with good taste, but this often proceeded from the
earnestness of those who joined. I recollect at Banchory an honest
fellow who sang so loud that he annoyed his fellow-worshippers, and the
minister even rebuked him for "skirling" so loud. James was not quite
patient under these hints, and declared to some of his friends that he
was resolved to sing to the praise of God, as he said, "gin I should
crack the waas o' the houss."
Going from sacred tunes to sacred words, a good many changes have taken
place in the little history of our own psalmody and hymnology. When I
first came to Edinburgh, for psalms we made use of the mild and vapid
new version of Tate and Brady;--for hymns, almost each congregation had
its own selection--and there were hymn-books of Dundee, Perth, Glasgow,
etc. The Established Church used the old rough psalter, with paraphrases
by Logan, etc., and a few hymns added by authority of the General
Assembly. There seems to be a pretty general tendency in the Episcopal
Church to adopt at present the extensive collection called "Hymns
Ancient and Modern," containing 386 pieces. Copies of the words alone
are to be procured for one penny, and the whole, with tunes attached, to
be procured for 1_s_. 6_d_. The Hymns Ancient and Modern are not set
forth with any Ecclesiastical sanction. It is supposed, however, that
there will be a Hymnal published by the Church of England on authority,
and if so, our Church will be likely to adopt it. The Established
Church Hymnal Committee have lately sanctioned a very interesting
collection of 200 pieces. The compilation has been made with liberality
of feeling as well as with good taste. There are several of Neale's
translations from mediaeval hymns, several from John Keble, and the
whole concludes with the Te Deum taken literally from the Prayer-Book.
This mention of Scottish Psalmody and Scottish Hymnology, whether for
private or for public worship, naturally brings us to a very important
division of our subject; I mean the general question of reminiscences of
Scottish religious feelings and observances; and first in regard to
Scottish clergy.
Public-domain text, read in full here on John Shaqi.
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