Reminiscences of Scottish Life & Character: And a Memoir of Dean Ramsay by Cosmo InnesRamsay, Edward Bannerman
History
Reminiscences of Scottish Life & Character: And a Memoir of Dean Ramsay by Cosmo Innes
Ramsay, Edward Bannerman
National characteristics, Scottish; Scotland -- Social life and customs
This is the place to notice a change which has taken place in regard to
some questions of taste in the building and embellishing of Scottish
places of worship. Some years back there was a great jealousy of
ornament in connection with churches and church services, and, in fact,
all such embellishments were considered as marks of a departure from the
simplicity of old Scottish worship,--they were distinctive of Episcopacy
as opposed to the severer modes of Presbyterianism. The late Sir William
Forbes used to give an account of a conversation, indicative of this
feeling, which he had overheard between an Edinburgh inhabitant and his
friend from the country. They were passing St. John's, which had just
been finished, and the countryman asked, "Whatna kirk was that?" "Oh,"
said the townsman, "that is an English chapel," meaning Episcopalian.
"Ay," said his friend, "there'll be a walth o' _images_ there." But, if
unable to sympathise with architectural church ornament and
embellishment, how much less could they sympathise with the performance
of divine service, which included such musical accompaniments as
intoning, chanting, and anthems! On the first introduction of
Tractarianism into Scotland, the full choir service had been established
in an Episcopal church, where a noble family had adopted those views,
and carried them out regardless of expense. The lady who had been
instrumental in getting up these musical services was very anxious that
a favourite female servant of the family--a Presbyterian of the old
school--should have an opportunity of hearing them; accordingly, she
very kindly took her down to church in the carriage, and on returning
asked her what she thought of the music, etc. "Ou, it's verra bonny,
verra bonny; but oh, my lady, it's an awfu' way of spending the
Sabbath." The good woman could only look upon the whole thing as a
musical performance. The organ was a great mark of distinction between
Episcopalian and Presbyterian places of worship. I have heard of an old
lady describing an Episcopalian clergyman, without any idea of
disrespect, in these terms:--"Oh, he is a whistle-kirk minister." From
an Australian correspondent I have an account of the difference between
an Episcopal minister and a Presbyterian minister, as remarked by an
old Scottish lady of his acquaintance. Being asked in what the
difference was supposed to consist, after some consideration she
replied, "Weel, ye see, the Presbyterian minister wears his sark under
his coat, the Episcopal minister wears his sark aboon his coat." Of late
years, however, a spirit of greater tolerance of such things has been
growing up amongst us,--a greater tolerance, I suspect, even of organs
and liturgies. In fact, we may say a new era has begun in Scotland as to
church architecture and church ornaments. The use of stained glass in
churches--forming memorial windows for the departed[19], a free use of
crosses as architectural ornaments, and restoration of ancient edifices,
Public-domain text, read in full here on John Shaqi.
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