The following, however, is a still richer illustration, and I am assured it is genuine:--"Towards the end of the last century, a worthy Roman Catholic clergyman, well known as 'Priest Matheson,' and universally respected in the district, had charge of a mission in Aberdeenshire, and for a long time made his journeys on a piebald pony, the priest and his 'pyet shelty' sharing an affectionate recognition wherever they came. On one occasion, however, he made his appearance on a steed of a different description, and passing near a Seceding meeting-house, he forgathered with the minister, who, after the usual kindly greetings, missing the familiar pony, said, 'Ou, Priest! fat's come o' the auld Pyet? 'He's deid, minister.' 'Weel, he was an auld faithfu' servant, and ye wad nae doot gie him the offices o' the church?' 'Na, minister,' said his friend, not quite liking this allusion to his priestly offices, 'I didna dee that, for ye see he _turned Seceder afore he dee'd, an' I buried him like a beast_.' He then rode quietly away. This worthy man, however, could, when occasion required, rebuke with seriousness as well as point. Always a welcome guest at the houses of both clergy and gentry, he is said on one occasion to have met with a laird whose hospitality he had thought it proper to decline, and on being asked the reason for the interruption of his visits, answered, 'Ye ken, an' I ken; but, laird, God kens!'" One question connected with religious feeling, and the manifestation of religious feeling, has become a more settled point amongst us, since fifty years have expired. I mean the question of attendance by clergymen on theatrical representations. Dr. Carlyle had been prosecuted before the General Assembly in 1757 for being present at the performance of the tragedy of Douglas, written by his friend John Home. He was acquitted, however, and writes thus on the subject in his Memoirs:-- "Although the clergy in Edinburgh and its neighbourhood had abstained from the theatre because it gave offence, yet the more remote clergymen, when occasionally in town, had almost universally attended the play-house. It is remarkable that in the year 1784, when the great actress Mrs. Siddons first appeared in Edinburgh, during the sitting of the General Assembly, that court was obliged to fix all its important business for the alternate days when she did not act, as all the younger members, clergy as well as laity, took their stations in the theatre on those days by three in the afternoon."