When a southerner mentioned the death of a friend to a lady of the granite city, she asked, "Fat dee'd he o'?" which being utterly incomprehensible to the person asked, another Aberdonian lady kindly explained the question, and put it into language which she supposed _could_ not be mistaken, as thus, "Fat did he dee o'?" If there was this difference between the Aberdeen and the Forfar dialect, how much greater must be that difference when contrasted with the _ore rotundo_ language of an English southern dignitary. Such a one being present at a school examination in Aberdeen wished to put some questions on Scripture history himself, and asked an intelligent boy, "What was the ultimate fate of Pharaoh?" This the boy not understanding, the master put the same question Aberdonicé, "Jemmy, fat was the hinner end o' Pharaoh?" which called forth the ready reply, "He was drouned i' the Red Sea." A Forfarshire parent, dissatisfied with his son's English pronunciation, remonstrated with him, "What for div' ye say _why_? why canna ye say 'what for'?" The power of Scottish phraseology, or rather of Scottish _language_, could not be better displayed than in the following Aberdonian description of London theatricals:--Mr. Taylor, at one time well known in London as having the management of the opera-house, had his father up from Aberdeen to visit him and see the wonders of the capital. When the old man returned home, his friends, anxious to know the impressions produced on his mind by scenes and characters so different from what he had been accustomed to at home, inquired what sort of business his son carried on? "Ou," said he (in reference to the operatic singers and the corps de ballet), "he just keeps a curn[76] o' quainies[77] and a wheen widdyfous[78], and gars them fissle[79], and loup, and mak murgeons[80], to please the great fowk."