France -- Social life and customs -- 19th century -- Fiction
"Yes, make fun of me by all means. You know I get carried away, as you
tell me. And your Montbreton--but how silly I am, to be sure. He doesn't
belong to us, this man, does he? Oh, if it were one of my family who had
done such a thing, such a dishonourable thing, such a----"
She stopped short for a second, and then began again:
"I think," she said, speaking with an effort, as though the tears were
coming into her eyes, "I think I could never love him again. Yes, it
seems to me as though my heart would be perfectly hard as far as he was
concerned."
"Good! this is quite touching. We had the young orator just now, and at
present it is the little girl's turn. You'd do better to come and look
at this caricature album that Davarande has sent your mother."
"Ah yes, let's look at that," said Renee, going quickly across to her
father and leaning on his shoulder as he turned over the leaves. She
glanced at two or three pages and then looked away.
"There, I've had enough of them, thank you. Goodness, how can people
enjoy making things ugly--uglier than nature? What a queer idea. Now in
art, in books, and in everything, I'm for all that is beautiful, and not
for what is ugly. Then, too, I don't think caricatures are amusing. It's
the same with hunchbacks--it never makes me laugh to see a hunchback.
Do you like caricatures, Denoisel?"
"Do I? No, they make me want to howl. Yes, it is a kind of comical thing
that hurts me," answered Denoisel, picking up a Review that was next the
album. "Caricatures are like petrified jokes to me. I can never see one
on a table without thinking of a lot of dismal things, such as the wit
of the Directory, Carle Vernet's drawings, and the gaiety of
middle-class society."
"Thank you," said M. Mauperin laughing, "and in addition to that you are
cutting my _Revue des Deux Mondes_ with a match. How hopeless he is, to
be sure, Denoisel."
"Do you want a knife, Denoisel?" asked Renee, plunging her hand into her
pockets and pulling out a whole collection of things, which she threw on
the table.
"By Jove!" exclaimed Denoisel, "why, you have a regular museum in your
pockets. You'd have enough for a whole sale at the auction-rooms. What
in the world are all those things?"
"Presents from a certain person, and they go about with me everywhere.
There's the knife for you," and Renee showed it to her father before
passing it to Denoisel. "Do you remember where you bought it for me?"
she asked. "It was at Langres once when we had stopped for a fresh
horse; oh, it's a very old one. This one," she continued, picking up
another, "you brought me from Nogent. It has a silver blade, if you
please; I gave you a halfpenny for it, do you remember?"
"Ah, if we are to begin making inventories!" said M. Mauperin laughing.
"And what's in that?" asked Denoisel, pointing to a little worn-out
pocket-book stuffed full of papers, the dirty crumpled edges of which
could be seen at each end.
Public-domain text, read in full here on John Shaqi.
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