France -- Social life and customs -- 19th century -- Fiction
"My wife, for instance, wanted to have her portrait painted by Ingres.
You've seen it--it isn't like her--but it's by Ingres. Well, do you know
what he asked me for it? Four hundred pounds. I paid it him, but I
consider that taking advantage; it's the war against capital. Do you
mean to say that because a man's name is known he should make me pay
just what he likes? because he's an artist, he has no price, no fixed
rate, he has a right to fleece me? Why, according to that he might ask
me a million for it. It's like the doctors who make you pay according to
your fortune. To begin with, how does any one know what I have? I call
it an iniquity. Yes, four hundred pounds; what do you think of that?"
M. Bourjot was standing by the chimney-piece talking to Denoisel. He put
the other foot, on which he had been standing, to the fire as he spoke.
"Upon my word," said Denoisel, very seriously, "you are quite right: all
these folks take advantage of their reputation. You see there's only one
way to prevent it, and that would be to decree a legal maximum for
talent, a maximum for master-pieces. Why, yes! It would be very easy."
"That's it; that would be the very thing!" exclaimed M. Bourjot, "and it
would be quite just, for you see----"
The Bourjots had dined that evening alone with the Mauperins. The two
families had been talking of the wedding, and were only waiting to fix
the day, until the expiration of a year from the date of the first
insertion of the name of Villacourt in the _Monitor_. It was M. Bourjot
who had insisted on this delay. The ladies were talking about the
trousseau, jewellery, laces, and wedding-presents, and Mme. Mauperin,
who was seated by Mme. Bourjot, was contemplating her as though she were
a person who had performed a miracle.
M. Mauperin's face beamed with joy. He had in the end yielded to the
fascination of money. This great, upright man, genuine, severe, rigid,
and incorruptible as he was, had gradually allowed the vast wealth of
the Bourjots to come into his thoughts and into his dreams, to appeal to
him and to his instincts as a practical man, as an old man, the father
of a family and a manufacturer. He had been won over and disarmed. Ever
since his son's success with regard to this marriage, he had felt that
respect for Henri which ability or the prospect of a large fortune
inspires in people, and, without being aware of it himself, he scarcely
blamed him now for having changed his name. Fathers are but men, after
all.
Renee, who for some time past had been worried, thoughtful, and
low-spirited, was almost cheerful this evening. She was amusing herself
with blowing about the fluffy feathers which Noemi was wearing in her
hair. The latter, languid and absent-minded, with a dreamy look in her
eyes, was replying in monosyllables to Mme. Davarande's ceaseless
chatter.
Public-domain text, read in full here on John Shaqi.
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