France -- Social life and customs -- 19th century -- Fiction
Renee began to talk then in a low, penetrating voice. She spoke gently
and very beautifully; her words were tender, solemn, and touching,
sometimes sounding like the chant of a pure conscience, and sometimes
falling on the hearts around her with angelic consolation.
Her ideas became more and more elevated, excusing and pardoning all
things. At times the things she said fell on the ear as from a voice
that was far away from earth, higher than this life, and gradually a
sort of sacred awe born of the solemnity of darkness, silence, night,
and death, fell on the room where M. and Mme. Mauperin, and Denoisel
were listening eagerly to all which seemed to be already fluttering away
from the dying girl in this voice.
LXIV
On the wall-paper were bouquets of corn, cornflowers, and poppies, and
the ceiling was painted with clouds, fresh-looking and vapoury. Between
the door and window a carved wood praying-chair with a tapestry cushion
looked quite at home in its corner; above it, against the light, was a
holy-water vessel of brass-work, representing St. John baptizing Christ.
In the opposite corner, hanging on the wall with silk cords, was a small
bracket with some French books leaning against each other, and a few
English works in cloth bindings. In front of the window, which was
framed with creeping plants joining each other over the top and with the
leaves that hung over bathed in light, was a dressing-table, covered
with silk and guipure lace, with a blue velvet mirror and silver-mounted
toilet bottles. The shaped mantel-shelf surmounted with a carved panel,
had its glass framed with the same light shade of velvet as that on the
dressing-table. On each side of the glass were miniatures of Renee's
mother, one when quite young and wearing a string of pearls round her
neck, and a daguerrotype representing her much older. Above this was a
portrait of her father in his uniform, painted by herself, the frame of
which, leaning forward, caused the picture to dominate the whole room.
On a rosewood dinner-wagon, in front of the chimney-piece, were one or
two knick-knacks, the sick girl's latest fancies--the little jug and the
Saxony bowl that she had wanted. A little farther away, by the second
window, all the souvenirs that Renee had collected in her riding
days--her hunting and shooting relics, riding-canes, a Pyrenees whip,
and some stags' feet with a card tied with blue ribbon, telling the day
and place where the animal had been run to cover. Beyond the window was
a little writing-desk which had been her father's at the military
school, and on its shelf stood the boxes, baskets, and presents she had
received as New Year's gifts. The bed was entirely draped with muslin.
At the back of it, and as though under the shelter of its curtains, all
the prayer-books Renee had had since her childhood were arranged on an
Algerian bracket, from which some chaplets were hanging. Then came a
chest of drawers covered with a hundred little nothings: doll's-house
Public-domain text, read in full here on John Shaqi.
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