Domestic fiction; Impostors and imposture -- Fiction; Man-woman relationships -- Fiction; New England -- Fiction; Wills -- Fiction
The consciousness of the part she was acting kept Irene silent, while
Mr. McPherson went on: “You don’t look like her, as I see, nor like
Nannie, either, though Sandy said you did. He saw you on the beach, you
know. You don’t remember him, of course.” Irene still kept silent, while
Colin continued: “Your cousin is more like Nannie. The eyes are much the
same,” he added, as he turned to Rena, who was gazing into Nannie’s
beautiful eyes, which seemed to smile a recognition upon her.
“You are like her,” Reginald said, coming to Rena’s side and looking at
her so earnestly that she found herself blushing, and moved nearer to
Tom.
She, too, was feeling uncomfortable, and wishing more and more that she
had never entered into the deception.
“I can’t tell now,” she thought. “I must wait and consult Tom. I wonder
how Irene can seem so composed.”
Irene had recovered from her little pricks of conscience, and was
looking quite unmoved at the portrait supposed to be her
great-grandmother’s and listening to Mr. McPherson’s question as to what
her maiden name was.
“My memory is so bad it has slipped my mind,” he said.
Irene had forgotten, too, if she ever knew, which was doubtful, she
said, as she feared she had not been as anxious about her pedigree as
she ought to be. Then, lest she should be asked more troublesome
questions, she turned from the portraits to other pictures in the room,
the originals of some of which she had seen abroad and about which she
could talk fluently.
“Perhaps you’d like to see the rest of the house?” Mr. McPherson said to
her at last, as if she were the only one present interested in it.
If she were to live there, or spend her summers there, she must be glad
to see her future home, and he led the way through the rooms of the
first floor, and then to the second, where he stopped at the door of a
large, airy chamber, with a fine outlook over the grounds and down to
the sea.
“This was Sandy’s room,” he said. “Here he sat a great deal with his two
wives, both of whom died in that bed,” and he pointed to a high poster,
with a lace canopy over it. “His first died on the right side, and his
second on the left, he told me. Sandy died in it, too,” he added, very
reverently; while Irene stood with her head a little bent and eyes cast
down, like one praying, while in reality she was trying to repress a
smile at the idea of Mrs. McPherson the first dying on the right side of
the bed, and Mrs. McPherson the second on the left, and Sandy probably
in the middle, she thought.
Tom was thinking the same and whispering it to Rena, when Colin pointed
to the large bay window at the extremity of the long room.
Public-domain text, read in full here on John Shaqi.
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