Renaissance Fancies and Studies: Being a Sequel to EuphorionLee, Vernon
History
Renaissance Fancies and Studies: Being a Sequel to Euphorion
Lee, Vernon
Art, Italian; Art, Renaissance -- Italy
Man's power of reproduction being represented by three, its multiple
nine would be still more obviously important. How to turn this eight
into nine became Domenico's study, and he took measurement after
measurement for this purpose. At length he remembered that man's body
is a unity, therefore represented by the number one, and that will,
judgment, and supremacy are also comprised in the unit. Now one and
eight make nine beyond all possibility of doubt, and the formula--"man's
body is a unity--or one"--composed of harmonies of eight, would give
the formula _nine_ meaning _man's supremacy is expressed in his body_.
The importance of working round to this famous nine will be clear when
we reflect that, according to the Kabbala and the lost sacred book of
Hermes Trismegistus--the Pimandra, doubtless, which he is represented,
on the floor of Siena Cathedral, as offering to a Jew and a Gentile--nine
represents the sun and all beautiful bright things that draw their
influence from it, as the gleam of beaten gold, the rustle of silken
stuffs, the smell of the flower heliotrope, and all such men as
delineate human beings with colours, or make their effigy in stone or
metal; moreover, Phoebus Apollo, whom the poets describe as the most
beautiful of the gods, as indeed he is represented in all statues and
reliefs.
Domenico would often discuss these matters with a learned man who
greatly frequented his company. This was the humanist Niccolò Feo, known
as Filarete. Filarete was a native of Southern Apulia, a bastard of the
house of the Counts of Sulmona, who, in order to prevent any plots
against the legitimate branch, had handsomely provided for him in an
abbey of which they enjoyed the patronage. But his restless spirit
drove him from the cloister, and impelled him to long and adventurous
journeys. He had travelled in India and the East, and in Greece,
returning to Italy only when Constantinople fell before the Turks.
During these years he had acquired immense learning, considerable
wealth, and a vaguely sinister reputation. He had been persecuted by
Paul II. for taking part in the famous banquets, savouring oddly of
Paganism, of Pomponius Lætus; but the late Pontiff Sixtus IV. had taken
him into his favour together with Platina, one of his fellow-sufferers
in the castle of Saint Angelo. He was now old, and, after a life of
study, adventure, and possibly of sin, was living in affluence in a
house given him by the illustrious Cardinal at St. Peter ad Vincula, who
had also obtained him a canonry of St. John Lateran. He was busying his
last year in a great work of fancy and erudition, for which he required
the assistance of a skilful draughtsman and connoisseur of antiquities,
than whom none could suit him so well as Domenico Neroni.
Public-domain text, read in full here on John Shaqi.
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