Renaissance Fancies and Studies: Being a Sequel to EuphorionLee, Vernon
History
Renaissance Fancies and Studies: Being a Sequel to Euphorion
Lee, Vernon
Art, Italian; Art, Renaissance -- Italy
horror, shot with gleams of curiosity--the devil also had his place in
the world, a place much nearer and universal, and did marvellous things,
pointing out treasures, teaching the future, lending invulnerable
strength to the men and women who worshipped him, of whom some might
be pointed out to you in every town--yes, grave and respectable men,
priests and monks among them, and even Cardinals of Holy Church, as
every one knew quite well.... So that, in a confused manner, rather
negative than positive, Domenico considered that the Pagan gods must
be somewhere or other, the past and present not very clearly separated
in his mind, or rather the past existing in a peculiar simultaneous
manner with the present, as a sort of St. Brandan's isle, in distant,
unattainable seas; or as Dante's mountain of Purgatory, a very solid
mountain indeed, yet which, for some mysterious and unquestioned reason,
people never stumbled upon except after death. All this was scarcely an
actual series of arguments; it was rather the arguments which, with much
effort, Domenico might have fished out of his obscure consciousness
had you summoned him to explain how the ancient gods could possibly
be immortal. As to him, he had always heard of them as immortal, and
although he had not been taught any respect or love for them as for
Christ, the Madonna, and the saints, they must be existing somewhere
since _immortal_ means that which cannot die.
But now he began to feel a certain shyness about immortal gods, for they
had begun to occupy his thoughts, and it was with much cunning that he
put questions to his friend Filarete, desirous to gain information on
certain points without actually seeming to ask it. The humanist, summoned
to explain what the Fathers of the Church--those worthies crowned with
mitres and offering rolls of manuscript, whom Domenico had occasionally
to portray for his customers--said about the ancient gods, answered with
much glibness but considerable contempt, for the Greek and Latin of
these saintly philosophers inspired the learned man with a feeling of
nausea. He got out of a chest several volumes covered with dust, and
began to quote the "Apology" of Justin Martyr, the "Legation" of
Athenagoras, the "Apology" of Tertullian and Lactantius, whose very name
caused him to writhe with philological loathing. And he told Domenico
that it was the opinion of these holy but ill-educated persons that
dæmons assumed the name and attributes of Jupiter, of Venus, of Apollo
and Bacchus, lurking in temples, instituting festivals and sacrifices,
and were often allowed by Heaven to distract the faithful by a display
of miracles.
"Then they are devils?" asked Domenico, trying to follow.
A smile passed over the beautifully cut mouth, the noble, wrinkled
face--like that of the marble Seneca--of the old humanist.
Public-domain text, read in full here on John Shaqi.
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