Renaissance Fancies and Studies: Being a Sequel to EuphorionLee, Vernon
History
Renaissance Fancies and Studies: Being a Sequel to Euphorion
Lee, Vernon
Art, Italian; Art, Renaissance -- Italy
passionate desire of his friend, he told Domenico that, if he chose, he
too perhaps might see a god.
In his antiquarian rambles Filarete had discovered, a mile or two
outside the southern gates of Rome, a subterranean chamber, richly
adorned with stuccoes--known nowadays as the tomb of certain members of
the Flavian family, but which, thanks to the defective knowledge of his
day and the habit of seeing people buried in churches, the humanist had
mistaken for a temple--intact, and scarcely desecrated, of the Eleusinian
Bacchus. Above its vaults, barely indicated by a higher mound in the
waving ground of the pasture land, had once stood a Christian church, as
ancient almost as the supposed temple below, whose Byzantine columns lay
half hidden by the high grass, and the walls of whose apse had become
overgrown by ivy and weeds, the nest of lazy snakes. The Gothic soldiers,
Arians or heathens, who had burned down, in some drunken bout, the
little church above-ground, had penetrated at the same time into the
tomb beneath in search of treasure, and finding none, dispersed the
bones in the sarcophagi they had opened. They had left open the aperture
leading downward, which had been matted over by a thick growth of ivy
and wild clematis. One day, while surveying the remains of the Christian
church, always in hopes of discovering in it a former temple of the
Pagans, Filarete had walked into that tuft of solid green, and found
himself, buried and half stunned, in the mouth of the tomb below. It
was through this that he bade Domenico follow him, bearing a certain
mysterious package in his cloak, one January day of the year fourteen
hundred and eighty-eight.
Public-domain text, read in full here on John Shaqi.
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