Renaissance Fancies and Studies: Being a Sequel to EuphorionLee, Vernon
History
Renaissance Fancies and Studies: Being a Sequel to Euphorion
Lee, Vernon
Art, Italian; Art, Renaissance -- Italy
And in such frame of mind the corruption of the Renaissance leaves us
calm, and we know we had better turn our backs on it, and get from the
Renaissance only what was good. Only, if we are physicians, or more
correctly (since in a private capacity we all are) only _when_ we are
physicians, must we handle the unwholesome. Meanwhile, if we wish to be
sound, let us fill our soul with images and emotions of good; we shall
tackle evil, when need be, only the better. And here, by the way, let
me open a parenthesis to say that, of the good we moderns may get from
occasional journeys into the Past, there is a fine example in our
imaginary and emotional commerce with St. Francis and his joyous
theology. For while other times, our own among them, have given us
loftier morality and severer good sense, no period save that of St.
Francis could have given us a blitheness of soul so vivifying and so
cleansing. For the essence of his teaching, or rather the essence of
his personality, was the trust that serenity and joyfulness must be
incompatible with evil; that simple, spontaneous happiness is, even like
the air and the sunshine in which his beloved brethren the birds flew
about and sang, the most infallible antidote to evil, and the most
sovereign disinfectant. And because we require such doctrine, such
personal conviction, for the better living of our lives, we must, even
as to better climates, journey forth occasionally into that distant Past
of mediæval Italy; and as to the Ezzelinos, Borgias, and Riarios, and
the foul-mouthed humanists, good heavens! why should we sicken ourselves
with the thought of this long dead and done for abomination?
Public-domain text, read in full here on John Shaqi.
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