There is, for instance, the story of a good young man (with a name for a fairy tale too, Æneas Sylvius Piccolomini!) showing his adventures by land and sea and at many courts, the honours conferred on him by kings and emperors, and how at last he was made Pope, having begun as a mere poor scholar on a grey nag; all painted by Pinturicchio in the Cathedral library of Siena. There is the lamentable story of a bride and bridegroom, by Vittore Carpaccio: the stately, tall bride, St. Ursula, and the dear little foolish bridegroom, looking like her little brother; a story containing a great many incidents: the sending of an embassy to the King; the King being sorely puzzled in his mind, leaning his arm upon his bed and asking the Queen's advice; the presence upon the palace steps of an ill-favoured old lady, with a crutch and basket, suspiciously like the bad fairy who had been forgotten at the christening; the apparition of an angel to the Princess, sleeping, with her crown neatly put away at the foot of the bed; the arrival of the big ship in foreign parts, with the Bishop and Clergy putting their heads out of the port-holes and asking very earnestly, "Where are we?" and finally, a most fearful slaughter of the Princess and her eleven thousand ladies-in-waiting. The same Carpaccio--a regular old gossip from whom one would expect all the formulas, "and then he says to the king, Sacred Crown," "and then the Prince walks, walks, walks, walks." "A company of knights in armour nice and shining," "three comely ladies in a green meadow," and so forth of the professional Italian story-teller--the same Carpaccio, who was also, and much more than the more solemn Giovanni Bellini, the first Venetian to handle oil paints like Titian and Giorgione, painted the fairy tale of St. George, with quite the most dreadful dragon's walk, a piece of sea sand embedded with bones and half-gnawed limbs, and crawled over by horrid insects, that any one could wish to see; and quite the most comical dragon, particularly when led out for execution among the minarets and cupolas and camels and turbans and symbols of a kind of small Constantinople.