Renaissance Fancies and Studies: Being a Sequel to EuphorionLee, Vernon
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Renaissance Fancies and Studies: Being a Sequel to Euphorion
Lee, Vernon
Art, Italian; Art, Renaissance -- Italy
_The Annunciation to the Shepherds_: The heavens open in a circular
whirl among the storm darkness, cherubs whirling distantly like
innumerable motes in a sunbeam; the angel steps forward on a ray of
light, projecting into the ink-black night. The herds have perceived
the vision, and rush headlong in all directions, while the trees groan
beneath the blast of that opening of heaven. A horse, seen in profile,
with the light striking on his eyeball, seems paralysed by terror. The
shepherds have only just awakened. _The Nativity_: Darkness. A vague
crowd of country folk jostling each other noiselessly. A lantern, a
white speck in the centre, sheds a smoky, uncertain light on the corner
where the Child sleeps upon the pillows, the Virgin, wearied, resting
by its side, her face on her hand. Joseph is seated by, only his head
visible above his book. The cows are just visible in the gloom. The
lantern is held by a man coming carefully forward, uncovering his head,
the crowd behind him. _A Halt on the Journey to Egypt_: Night. The
lantern hung on a branch. Joseph seated sleepily, with his fur cap
drawn down; the Virgin and Child resting against the packsaddle on the
ground. _An Interior_: The Virgin hugging and rocking the Child. Joseph,
outside, looks in through the window. _The Raising of Lazarus_: A vault
hung with scimitars, turbans, and quivers. Against the brilliant daylight
just let in, the figure of Christ, seen from behind, stands out in His
long robes, raising His hand to bid the dead arise. Lazarus, pale,
ghost-like in this effulgence, slowly, wearily raises his head in the
sepulchre. The crowd falls back. Astonishment, awe. This coarse Dutchman
has suppressed the incident of the bystanders holding their nose, to
which the Giottesques clung desperately. This is not a moment to think of
stenches or infection. _Entombment_: Night. The platform below the cross.
A bier, empty, spread with a winding-sheet, an old man arranging it at
the head. The dead Saviour being slipped down from the cross on a sheet,
two men on a ladder letting the body down, others below receiving it,
trying to prevent the arm from trailing. Immense solemnity, carefulness,
hushedness. A distant illuminated palace blazes out in the night. One
feels that they are stealing Him away.
Public-domain text, read in full here on John Shaqi.
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