Renaissance in Italy, Volume 2 (of 7): The Revival of LearningSymonds, John Addington
History
Renaissance in Italy, Volume 2 (of 7): The Revival of Learning
Symonds, John Addington
Humanism; Renaissance -- Italy
might fancy they were nowhere, just because they had left no part
unpenetrated. The Republic, like Gulliver in Liliput, was tied down by
a thousand threads, each almost imperceptible, but so varied in
quality and so subtly interwoven that to escape from the network was
impossible.
[Footnote 132: Manetti's obligations to the commune were raised by
arbitrary impositions to the enormous sum of 135,000 golden florins.
He was broken in his trade and forced to live on charity in exile.]
Much of the influence acquired by Cosimo, and transmitted to his
descendants, was due to sympathy with the intellectual movement of the
age. He had received a solid education; and though he was not a Greek
scholar, his mind was open to the interests which in the fifteenth
century absorbed the Florentines. He collected manuscripts, gems,
coins, and inscriptions, employing the resources of his banking house
and engaging his commercial agents in this work. Painters and
sculptors, no less than scholars and copyists, found in him a liberal
patron. At the death of his son Piero the treasures of the Casa
Medici, not counting plate and costly furniture, were valued at 30,000
golden florins.[133] The sums of money spent by him in building were
enormous. It was reckoned that, one year with another, he disbursed
from 15,000 to 18,000 golden florins annually in edifices for the
public use.[134] Of these the most important were the Convent of S.
Marco, which altogether cost about 70,000 florins; S. Lorenzo, which
cost another 40,000; and the Abbey of Fiesole. On his own palace he
expended 60,000 florins, while the building of his villas at Careggi
and Cafaggiuolo implied a further large expenditure. Not a shilling of
this money was wasted; for while Cosimo avoided the reproach of
personal extravagance, he gave work to multitudes of labourers, who
received their wages regularly every Saturday at his office. To this
free use of wealth in the employment of artisans may be ascribed the
popularity of the Medici with the lower classes, which was more than
once so useful to them at a perilous turn of fortune.
[Footnote 133: See Von Reumont, vol. ii. p. 175.]
[Footnote 134: Vespasiano, p. 257.]
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