Facing Bruni's tomb in S. Croce is that of Carlo Aretino, wrought with subtler art and in a richer style by Desiderio da Settignano. Messer Carlo, who succeeded Bruni in the Chancery of the Republic, shared during his lifetime, as well as in the public honours paid him at his death, very similar fortunes. His family name was Marsuppini, and he was born of a good family in Arezzo. Having come to Florence while a youth to study Greek, he fell under the notice of Niccolo de' Niccoli, who introduced him to the Medicean family, and procured him an engagement at a high salary from the Uffiziali dello Studio. At the time when he began to lecture, Eugenius was holding his Court at Florence. The cardinals and nephews of the Pope, attended by foreign ambassadors, and followed by the apostolic secretaries, mingled with burghers of Florence and students from a distance round the desk of the young scholar. Carlo's reading was known to be extensive, and his memory was celebrated as prodigious. Yet on the occasion of this first lecture he far surpassed all that was expected of him. 'Before a crowd of learned men,' says Vespasiano, 'he gave a great proof of his memory, for neither Greeks nor Romans had an author from whom he did not quote.'[162] Filelfo, who was also lecturing in Florence at the time, had the mortification of seeing the larger portion of his audience transfer themselves to Marsuppini. This wound to his vanity he never forgave. Through the influence of Lorenzo de' Medici (Cosimo's younger brother), Carlo Marsuppini was first made Apostolic Secretary, and then promoted to the Chancery of Florence. He was grave in manner, taciturn in speech, and much given to melancholy. His contemporaries regarded him as a man of no religion, and he was said to have died without confession or communion.[163] This did not prevent his being buried in S. Croce with ceremonies similar to those decreed for Messer Lionardo. Matteo Palmieri pronounced the funeral oration, and placed the laurel on his brows. Marsuppini's contributions to scholarship were chiefly in verse; among these his translations of the 'Batrachomyomachia' and the first book of the 'Iliad' were highly valued. [Footnote 162: _Vita di Carlo d'Arezzo_, p. 440.] [Footnote 163: See Tiraboschi, tom. vi. p. 1094.]