Renaissance in Italy, Volume 2 (of 7): The Revival of LearningSymonds, John Addington
History
Renaissance in Italy, Volume 2 (of 7): The Revival of Learning
Symonds, John Addington
Humanism; Renaissance -- Italy
lyricis jam nona poetis
Æolis accedit Sappho, quæ flumina propter
Pierias legit ungue rosas, unde implicet audax
Serta Cupido sibi, niveam quæ pectine blando
Cyrinnem, Megaramque simul, cumque Atthide pulchram
Cantat Anactorien, et crinigeram Telesippen;
Et te conspicuum recidivo flore juventæ
Miratur revocatque, Phaon, seu munera vectæ
Puppe tuâ Veneris, seu sic facit herba potentem:
Sed tandem Ambracias temeraria saltat in undas.[419]
[Footnote 419: 'Ninth among lyric bards, Æolian Sappho joins the crew;
she who by flowing water plucks Pieria's rose for venturous Love to
twine in wreaths for his own brow; who with her dulcet lyre sings fair
Cyrinna's charms, and Megara, and Atthis and sweet Anactoria, and
Telesippa of the flowing hair. And thee, too, Phaon, beautiful in
youth's rathe flower, on thee she gazes, thee she calls again; such
power to thee gave Venus for her freightage in thy skiff, or else the
herb of love. Yet at the last, not wisely bold, she leaps into the
Ambracian waves.' _Ib._ &c. p. 175.]
Having disposed of the lyrists, Poliziano proceeds to the dramatic
poets. His brief notice of the three Attic tragedians is worthy of
quotation, if only because it proves what we should suspect from other
indications, that the best scholars of the earlier Renaissance paid
them little attention. The facts mentioned in the following lines seem
to be derived from the gossip of Athenæus:--
Æschylus aëriæ casu testudinis ictus,
Quemque senem meritæ rapuerunt gaudia palmæ,
Quemque tegit rabidis lacerum pia Pella molossis.[420]
[Footnote 420: 'Æschylus, smitten by a tortoise falling from the air
above his head, and he whose triumph, justly won in old age, killed
him with excess of joy, and he whose body, torn by raging hounds, the
reverent earth of Pella hides.'--_Carmina_, &c. p. 176.]
Nor are his observations on the comic dramatists less meagre.[421] The
Roman poets having been passed in the same rapid review, Poliziano
salutes the founders of Italian literature in the following fine
passage:--
Nec tamen aligerum fraudarim hoc munere Dantem,
Per Styga, per stellas, mediique per ardua montis
Pulchra Beatricis sub virginis ora volantem:
Quique Cupidineum repetit Petrarcha triumphum:
Et qui bis quinis centum argumenta diebus
Pingit, et obscuri qui semina monstrat amoris:
Unde tibi immensæ veniunt præconia laudis,
Ingeniis opibusque potens Florentia mater.[422]
[Footnote 421: _Ib._ p. 177.]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account