Renaissance in Italy, Volume 2 (of 7): The Revival of LearningSymonds, John Addington
History
Renaissance in Italy, Volume 2 (of 7): The Revival of Learning
Symonds, John Addington
Humanism; Renaissance -- Italy
Dante does not belong in any strict sense to the history of the
Revival of Learning. The 'Divine Comedy' closes the Middle Ages and
preserves their spirit. It stands before the vestibule of modern
literature like a solitary mountain at the entrance of a country rich
in all varieties of landscape. In order to become acquainted with its
grandeur, we must leave the fields and forests that we know, ascend
the heights, and use ourselves to an austerer climate. In spite of
this isolation, Dante's influence was powerful upon succeeding
generations. The modern mind first found in him its scope, and
recognised its freedom; first dared and did what placed it on a level
with antiquity in art. Many ideas, moreover, destined to play an
important part in the coming age, received from him their germinal
expression. It may thus be truly said that Dante initiated the
movement of the modern intellect in its entirety, though he did not
lead the Revival considered as a separate moment in this evolution.
That service was reserved for Petrarch.
There are spots upon the central watershed of Europe where, in the
stillness of a summer afternoon, the traveller may listen to the
murmurs of two streams--the one hurrying down to form the Rhine, the
other to contribute to the Danube or the Po. Born within hearing of
each other's voices, and nourished by the self-same clouds that rest
upon the crags around them, they are henceforth destined to an
ever-widening separation. While the one sweeps onward to the Northern
seas, the other will reach the shores of Italy or Greece and mingle
with the Mediterranean. To these two streamlets we might compare Dante
and Petrarch, both of whom sprang from Florence, both of whom were
nurtured in the learning of the schools and in the lore of chivalrous
love. Yet how different was their mission! Petrarch marks the rising
of that great river of intellectual energy which flowed southward to
recover the culture of the ancient world. The current of Dante's
genius took the contrary direction. Borne upon its mighty flood, we
visit the lands and cities of the Middle Ages, floating toward
infinities divined and made the heritage of human nature by the
mediæval spirit.
Public-domain text, read in full here on John Shaqi.
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