Renaissance in Italy, Volume 3 (of 7): The Fine ArtsSymonds, John Addington
History
Renaissance in Italy, Volume 3 (of 7): The Fine Arts
Symonds, John Addington
Art, Italian
Unlike Mantegna, Signorelli never entered the service of a prince, though
we have seen that he executed commissions for Lorenzo de' Medici and
Pandolfo Petrucci. He bore a name which, if not noble, had been more than
once distinguished in the annals of Tuscany. Residing at his native place,
Cortona, he there enjoyed the highest reputation, and was frequently
elected to municipal office. Concerning his domestic life very little is
known, but what we do know is derived from an excellent source[216]. His
mother was the sister of Lazzaro, great-grandfather of Giorgio Vasari. In
his biography of Signorelli, Vasari relates how, when he was himself a boy
of eight, his illustrious cousin visited the house of the Vasari family at
Arezzo; and hearing from little Giorgio's grammar-master that he spent his
time in drawing figures, Luca turned to the child's father and said,
"Antonio, since Giorgio takes after his family, you must by all means have
him taught; for even though he should pay attention to literature as well,
drawing cannot fail to be a source of utility, honour, and recreation to
him, as it is to every man of worth." Luca's kindness deeply impressed the
boy, who afterwards wrote the following description of his personal
qualities: "He was a man of the most excellent habits, sincere and
affectionate with his friends, sweet of conversation and amusing in
society, above all things courteous to those who had need of his work, and
easy in giving instruction to his pupils. He lived splendidly, and took
delight in dressing handsomely. This excellent disposition caused him to
be always held in highest veneration both in his own city and abroad."
Public-domain text, read in full here on John Shaqi.
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