Renaissance in Italy, Volume 3 (of 7): The Fine ArtsSymonds, John Addington
History
Renaissance in Italy, Volume 3 (of 7): The Fine Arts
Symonds, John Addington
Art, Italian
[337] "Io sto qua in grande afanno, e con grandissima fatica di corpo, e
non ò amici di nessuna sorte, e none voglio: e non ò tanto tempo che io
possa mangiare el bisognio mio." Letter to Gismondo, published by Grimm.
See, too, Sebastian del Piombo's letter to him of November 9, 1520: "Ma
fate paura a ognuno, insino a' papi." Compare, too, the letter of
Sebastian, Oct. 15, 1512, in which Julius is reported to have said, "È
terribile, come tu vedi, non se pol praticar con lui." Again, Michael
Angelo writes: "Sto sempesolo, vo poco attorno e non parlo a persona e
massino di fiorentini." Gotti, p. 255.
[338] When anything went wrong with him, he became moody and vehement:
"Non vi maravigliate che io vi abbi scritto alle volte cosi stizosamente,
che io ò alle volte di gran passione, per molte cagioni che avengono a
chi è fuor di casa." So he writes to his father in 1498. A letter to
Luigi del Riccio of 1545, is signed "Michelagnolo Buonarroti non pittore,
nè scultore, nè architettore, ma quel che voi volete, ma none briaco,
come vi dissi, in casa."
[339] See the letters of Cosimo de' Medici, Gotti, pp. 301-313, the
letter of Count Alessandro da Canossa, _ibid._ p. 4, and Pier Vettori's
letter to Borghini, about the visit of some German gentlemen, _ibid._ p.
315.
[340] See the story as told by Torrigiani himself in Cellini, ed. Le
Monnier, p. 23.
[341] After saying that he talked of love like Plato, Condivi continues:
"Non senti mai uscir di quella bocca se non parole onestissime, e che
avevan forza d' estinguere nella gioventù ogni incomposto e sfrenato
desiderio che in lei potesse cadere." Compare Scipione Ammirato, quoted
by Guasti, "Le Rime," p. xi.
[342] Her intense affection for the Marquis of Pescara, to whom she had
been betrothed by her father at the age of five, is sufficiently proved
by those many sonnets and _canzoni_ in which she speaks of him as her
Sun.
[343] See Grimm, vol. ii.
[344] See the Sonnets translated in my Appendix and in my _Sonnets of
Michael Angelo and Campanella_, London, Smith & Elder, 1878. See also the
letters to Cavalieri, quoted by Gotti, pp. 231, 232, 234. It is surely
strained criticism to conjecture, as Gotti has done, that these epistles
were meant for Vittoria, though written to Cavalieri. Taken together with
the sonnets and the letter of Bartolommeo Angiolini (Gotti, p. 233), they
seem to me to prove only Michael Angelo's warm love for this young man.
CHAPTER IX
LIFE OF BENVENUTO CELLINI
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