Renaissance in Italy, Volumes 6 and 7 (of 7): The Catholic ReactionSymonds, John Addington
History
Renaissance in Italy, Volumes 6 and 7 (of 7): The Catholic Reaction
Symonds, John Addington
Catholic Church -- Italy -- History; Renaissance -- Italy
He had to localize each object in the camera obscura of the brain. If
the Garden of Gethsemane, for instance, were the subject of his
meditation, he was bound to place Christ here and the sleeping apostles
there, and to form an accurate image of the angel and the cup. He gazed
and gazed, until he was able to handle the raiment of the Saviour, to
watch the drops of bloody sweat beading his forehead and trickling down
his cheeks, to grasp the chalice with the fingers of the soul. As each
carefully chosen and sagaciously suggested scene was presented, he had
to identify his very being, soul, will, intellect, and senses, with the
mental vision. He lived again, so far as this was possible through
fancy, the facts of sacred history. If the director judged it advisable,
symbolic objects were placed before him in the cell; at one time skulls
and bones, at another fresh sweetsmelling flowers. Fasting and
flagellation, peculiar postures of the body, groanings and weepings,
were prescribed as mechanical aids in cases where the soul seemed
sluggish. The sphere traversed in these exercises was a narrow one. The
drill aimed at intensity of discipline, at a concentrated and concrete
impression, not at width of education or at intellectual enlightenment.
Speculation upon the fundamental principles of religion was excluded.
God's dealings with mankind revealed in the Old Testament found no place
in this theory of salvation. Attention was riveted upon a very few
points in the life of Christ and Mary, such as every Catholic child
might be supposed to be familiar with. But it was fixed in such a way as
to bring the terrors and raptures of the mystics, of a S. Catharine or a
S. Teresa, within the reach of all; to place spiritual experience _a la
portee de tout le monde_. The vulgarity is only equaled by the ingenuity
and psychological adroitness of the method. The soul inspired with
carnal dread of the doom impending over it, passed into almost physical
contact with the incarnate Saviour. The designed effect was to induce a
vivid and varied hypnotic dream of thirty days, from the influence of
which a man should never wholly free himself. The end at which he
arrived upon this path of self-scrutiny and materialistic realization,
was the conclusion that his highest hope, his most imperative duty, lay
in the resignation of his intellect and will to spiritual guidance, and
in blind obedience to the Church. Thousands and thousands of souls in
the modern world have passed through this discipline; and those who
responded to it best, have ever been selected, when this was possible,
as novices of the Order. The director had ample opportunity of observing
at each turn in the process whether his neophyte displayed a likely
disposition.
Public-domain text, read in full here on John Shaqi.
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