Renaissance in Italy, Volumes 6 and 7 (of 7): The Catholic ReactionSymonds, John Addington
History
Renaissance in Italy, Volumes 6 and 7 (of 7): The Catholic Reaction
Symonds, John Addington
Catholic Church -- Italy -- History; Renaissance -- Italy
The Duke and Duchess arrived in safety at Venice, where they had engaged
the Dandolo palace on the Zueca. There they only stayed a few days,
removing to Padua, where they had hired palaces of the Foscari in the
Arena and a house called De'Cavalli. At Salo, also, on the Lake of
Garda, they provided themselves with fit dwellings for their princely
state and their large retinues, intending to divide their time between
the pleasures which the capital of luxury afforded and the simpler
enjoyments of the most beautiful of the Italian lakes. But _la gioia dei
profani e un fumo passaggier_. Paolo Giordano Orsini, Duke of Bracciano,
died suddenly at Salo on November 10, 1585, leaving the young and
beautiful Vittoria helpless among enemies. What was the cause of his
death? It is not possible to give a clear and certain answer. We have
seen that he suffered from a horrible and voracious disease, which after
his removal from Rome seems to have made progress. Yet though this
malady may well have cut his life short, suspicion of poison was not, in
the circumstances, quite unreasonable. The Grand Duke of Tuscany, the
Pope, and the Orsini family were all interested in his death. Anyhow, he
had time to make a will in Vittoria's favor, leaving her large sums of
money, jewels, goods, and houses--enough, in fact, to support her ducal
dignity with splendor. His hereditary fiefs and honors passed by right
to his only son, Virginio.
Vittoria, accompanied by her brother, Marcello, and the whole court of
Bracciano, repaired at once to Padua, where she was soon after joined by
Flaminio, and by the Prince Lodovico Orsini. Lodovico Orsini assumed the
duty of settling Vittoria's affairs under her dead husband's will. In
life he had been the duke's ally as well as relative. His family pride
was deeply wounded by what seemed to him an ignoble, as it was certainly
an unequal, marriage. He now showed himself the relentless enemy of the
Duchess. Disputes arose between them as to certain details, which seem
to have been legally decided in the widow's favor. On the night of
December 22, however, forty men, disguised in black and fantastically
tricked out to elude detection, surrounded her palace. Through the long
galleries and chambers hung with arras, eight of them went, bearing
torches, in search of Vittoria and her brothers. Marcello escaped,
having fled the house under suspicion of the murder of one of his own
followers. Flaminio, the innocent and young, was playing on his lute and
singing _Miserere_ in the great hall of the palace. The murderers
surprised him with a shot from one of their harquebusses. He ran,
wounded in the shoulder, to his sister's room. She, it is said, was
telling her beads before retiring for the night. When three of the
assassins entered, she knelt before the crucifix, and there they stabbed
her in the left breast, turning the poignard in the wound, and asking
her with savage insults if her heart was pierced. Her last words were,
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