NOBILI, Flaminio de', a censor of the _Gerusalemme Liberata_, ii. 43. NOLA, survival of Greek customs in, ii. 132. NOVICES, Jesuit, position of, i. 271. NUNNERIES, state of, in the sixteenth century, i. 315 _sqq._ O OMERO, Fuggiguerra, sobriquet chosen by Tasso in his wanderings, ii. 64. OPERA, rise of the, in Florence, ii. 341. ORANGE, Prince of, leader of the Spanish army in the siege of Florence, i. 18. ORATORIO (Musical), the: its origins in Rome, ii. 334. ORATORY of Divine Love, the, i. 76. ORSINI, the, reduced to submission to the Popes, i. 7. ---Paolo Giordano (Duke of Bracciano): his passion for Vittoria Accoramboni, i. 358; his gigantic stature and corpulence, 359; poisons his first wife, 360; treatment by Sixtus V., 363; secret marriage with Vittoria, 364; renounces the marriage, 365; ratifies the union by public marriage, 366; flight from Rome, _ib._: death of the Duke, 367. ---Prince Lodovico: procures the murder of Vittoria Accoramboni and her brother, i. 368; siege of his palace, 370; his violent death, 371. ---Troilo, lover of the Duchess of Bracciano, i. 360; details of his murder by Ambrogio Tremazzi, 405 _sqq._ OSIO, Gianpaolo: his intrigue with Virginia de Leyva, i. 318 _sqq._; murders her waiting-woman, 322; attempts to murder two other nuns, 324; his letter of defence to Cardinal Federigo Borromeo, 326; condemned to death and outlawed, 327; terms of the _Bando_, 328; his end, 329. OSORIO, Don Alvaro, Grand Marshal of Spain, i. 22. OUTLAWRY in Italy in the sixteenth century, i. 307 _sqq._ OXFORD, Giordano Bruno's reception at, ii. 144. P PACHECO, Cardinal, the foe of the Caraffeschi, i. 105. PADUAN school of scepictism, the, influence of, on Tasso, ii. 20. PAGANELLO, Conte, assassin of Vittoria Accoramboni, i. 371. PAINTING in the late years of the sixteenth century, ii. 344; Eclecticism, 345; influence of the Tridentine Council, 347; the Mannerists, 348; Baroccio, 349; the Caracci, 350 _sqq._; studies of the Bolognese painters, 352; academical ideality, 354; Guido, Albani, Domenichino, 355 _sqq._; criticism of Domenichino's work, 359; the Italian Realists, 363 _sqq._; Lo Spada, 364; Il Guercino, 365; critical reaction against the Eclectics, 368; fundamental principles of criticism, 370 _sqq._ PAIX des Dames, i. 9, 16. PALAZZO Vernio, Academy (musical) of the, ii. 340; distinguished composers of its school, 341. PALEARIO, Aonio: his opinion of the Index, i. 197, 214.