Representative English Comedies, v. 1. From the beginnings to Shakespeare
General
Representative English Comedies, v. 1. From the beginnings to Shakespeare
English drama (Comedy)
_Godly Queen Hester_, published 1561,[82] is exactly described as a
"newe enterlude drawen out of the Holy Scripture." According to
Fleay, it is the latest "scriptural morality" extant to be acted on the
English stage.[83] But it is much more than a scriptural morality. Not
only by its fusion of biblical characters, like Assuerus and Hester,
with allegorical types, like Pride and the half-moral, half-native
Vice, does the play give evidence of its polytypic nature, but by its
atmosphere, which is charged with local and personal allusions and
ironical references to the economic abuses of the day. In nervous
energy of style and in forthright dramatic movement, the play is
an improvement upon its predecessors; and as a satirical drama of
political purpose, it should have had a numerous progeny. Strange to
say, however, this kind of scriptural satire has had no great success
in the field of English drama. Its bloom, as in Dryden's _Absalom
and Achitophel_, has been in the by-paths of poetry. Of a peculiar
historical importance is the character of Hardy-dardy. Mr. Fleay
regards him as a domestic fool, and remarks that this interlude and the
_Misogonus_ are the only two early plays in which the Vice is replaced
by such a personage. But neither of these statements is correct, for
Hardy-dardy and Cacurgus do not totally abandon the quality of Vice,
and various other plays yet to be mentioned have characters closely
resembling them. Hardy-dardy is, indeed, a professed jester dressed
in a fool's coat; in his assumption of stupidity and his proffer of
service to Aman, he resembles Slipper in Greene's _James the Fourth_;
and in his shrewd simplicity, repartee, and indirection he anticipates
some of Shakespeare's fools. But he still retains characteristics of
his ancestry. He stands, in conception, half-way between the minor
Vices of the play, Ambition, Adulation, and Pride, to whose jocosities
and deviltries he succeeds,--for he appears only when they have
departed,--and the waggish weathercocks of later interludes, Haphazard
and Conditions.
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