‘“I am an officer of the Detective Police,” said I, “and have been lying
here, since you first came in this morning. I regret, for the sake of
yourself and your friends, that you should have done what you have; but
this case is complete. You have the pocket-book in your hand and the
money upon you; and I must take you into custody!”
‘It was impossible to make out any case in his behalf, and on his trial
he pleaded guilty. How or when he got the means I don’t know; but while
he was awaiting his sentence, he poisoned himself in Newgate.’
* * * * *
We inquired of this officer, on the conclusion of the foregoing anecdote,
whether the time appeared long, or short, when he lay in that constrained
position under the sofa?
‘Why, you see, sir,’ he replied, ‘if he hadn’t come in, the first time,
and I had not been quite sure he was the thief, and would return, the
time would have seemed long. But, as it was, I being dead certain of my
man, the time seemed pretty short.’
ON DUTY WITH INSPECTOR FIELD
HOW goes the night? Saint Giles’s clock is striking nine. The weather
is dull and wet, and the long lines of street lamps are blurred, as if we
saw them through tears. A damp wind blows and rakes the pieman’s fire
out, when he opens the door of his little furnace, carrying away an eddy
of sparks.
Saint Giles’s clock strikes nine. We are punctual. Where is Inspector
Field? Assistant Commissioner of Police is already here, enwrapped in
oil-skin cloak, and standing in the shadow of Saint Giles’s steeple.
Detective Sergeant, weary of speaking French all day to foreigners
unpacking at the Great Exhibition, is already here. Where is Inspector
Field?
Inspector Field is, to-night, the guardian genius of the British Museum.
He is bringing his shrewd eye to bear on every corner of its solitary
galleries, before he reports ‘all right.’ Suspicious of the Elgin
marbles, and not to be done by cat-faced Egyptian giants with their hands
upon their knees, Inspector Field, sagacious, vigilant, lamp in hand,
throwing monstrous shadows on the walls and ceilings, passes through the
spacious rooms. If a mummy trembled in an atom of its dusty covering,
Inspector Field would say, ‘Come out of that, Tom Green. I know you!’
If the smallest ‘Gonoph’ about town were crouching at the bottom of a
classic bath, Inspector Field would nose him with a finer scent than the
ogre’s, when adventurous Jack lay trembling in his kitchen copper. But
all is quiet, and Inspector Field goes warily on, making little outward
show of attending to anything in particular, just recognising the
Ichthyosaurus as a familiar acquaintance, and wondering, perhaps, how the
detectives did it in the days before the Flood.
Public-domain text, read in full here on John Shaqi.
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