Among this congregation, were some evil-looking young women, and
beetle-browed young men; but not many—perhaps that kind of characters
kept away. Generally, the faces (those of the children excepted) were
depressed and subdued, and wanted colour. Aged people were there, in
every variety. Mumbling, blear-eyed, spectacled, stupid, deaf, lame;
vacantly winking in the gleams of sun that now and then crept in through
the open doors, from the paved yard; shading their listening ears, or
blinking eyes, with their withered hands; poring over their books,
leering at nothing, going to sleep, crouching and drooping in corners.
There were weird old women, all skeleton within, all bonnet and cloak
without, continually wiping their eyes with dirty dusters of
pocket-handkerchiefs; and there were ugly old crones, both male and
female, with a ghastly kind of contentment upon them which was not at all
comforting to see. Upon the whole, it was the dragon, Pauperism, in a
very weak and impotent condition; toothless, fangless, drawing his breath
heavily enough, and hardly worth chaining up.
When the service was over, I walked with the humane and conscientious
gentleman whose duty it was to take that walk, that Sunday morning,
through the little world of poverty enclosed within the workhouse walls.
It was inhabited by a population of some fifteen hundred or two thousand
paupers, ranging from the infant newly born or not yet come into the
pauper world, to the old man dying on his bed.
In a room opening from a squalid yard, where a number of listless women
were lounging to and fro, trying to get warm in the ineffectual sunshine
of the tardy May morning—in the ‘Itch Ward,’ not to compromise the
truth—a woman such as HOGARTH has often drawn, was hurriedly getting on
her gown before a dusty fire. She was the nurse, or wardswoman, of that
insalubrious department—herself a pauper—flabby, raw-boned,
untidy—unpromising and coarse of aspect as need be. But, on being spoken
to about the patients whom she had in charge, she turned round, with her
shabby gown half on, half off, and fell a crying with all her might. Not
for show, not querulously, not in any mawkish sentiment, but in the deep
grief and affliction of her heart; turning away her dishevelled head:
sobbing most bitterly, wringing her hands, and letting fall abundance of
great tears, that choked her utterance. What was the matter with the
nurse of the itch-ward? Oh, ‘the dropped child’ was dead! Oh, the child
that was found in the street, and she had brought up ever since, had died
an hour ago, and see where the little creature lay, beneath this cloth!
The dear, the pretty dear!
Public-domain text, read in full here on John Shaqi.
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