After that, I needn’t remind you what a relief it was to see the simplest
process of ornamenting this ‘biscuit’ (as it is called when baked) with
brown circles and blue trees—converting it into the common crockery-ware
that is exported to Africa, and used in cottages at home. For (says the
plate) I am well persuaded that you bear in mind how those particular
jugs and mugs were once more set upon a lathe and put in motion; and how
a man blew the brown colour (having a strong natural affinity with the
material in that condition) on them from a blowpipe as they twirled; and
how his daughter, with a common brush, dropped blotches of blue upon them
in the right places; and how, tilting the blotches upside down, she made
them run into rude images of trees, and there an end.
And didn’t you see (says the plate) planted upon my own brother that
astounding blue willow, with knobbed and gnarled trunk, and foliage of
blue ostrich feathers, which gives our family the title of ‘willow
pattern’? And didn’t you observe, transferred upon him at the same time,
that blue bridge which spans nothing, growing out from the roots of the
willow; and the three blue Chinese going over it into a blue temple,
which has a fine crop of blue bushes sprouting out of the roof; and a
blue boat sailing above them, the mast of which is burglariously sticking
itself into the foundations of a blue villa, suspended sky-high,
surmounted by a lump of blue rock, sky-higher, and a couple of billing
blue birds, sky-highest—together with the rest of that amusing blue
landscape, which has, in deference to our revered ancestors of the
Cerulean Empire, and in defiance of every known law of perspective,
adorned millions of our family ever since the days of platters? Didn’t
you inspect the copper-plate on which my pattern was deeply engraved?
Didn’t you perceive an impression of it taken in cobalt colour at a
cylindrical press, upon a leaf of thin paper, streaming from a
plunge-bath of soap and water? Wasn’t the paper impression daintily
spread, by a light-fingered damsel (you know you admired her!), over the
surface of the plate, and the back of the paper rubbed prodigiously
hard—with a long tight roll of flannel, tied up like a round of hung
beef—without so much as ruffling the paper, wet as it was? Then (says
the plate), was not the paper washed away with a sponge, and didn’t there
appear, set off upon the plate, _this_ identical piece of Pre-Raphaelite
blue distemper which you now behold? Not to be denied! I had seen all
this—and more. I had been shown, at Copeland’s, patterns of beautiful
design, in faultless perspective, which are causing the ugly old willow
to wither out of public favour; and which, being quite as cheap,
insinuate good wholesome natural art into the humblest households. When
Mr. and Mrs. Sprat have satisfied their material tastes by that equal
division of fat and lean which has made their _ménage_ immortal; and
Public-domain text, read in full here on John Shaqi.
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