He looked sideways out of his beard, as if it were an ivy-bush. ‘Jealousy,’ said he. He gave it an ingenious twist in the air, and informed me that he was carousing. He made it shaggy with his fingers—and it was Despair; lank—and it was avarice: tossed it all kinds of ways—and it was rage. The beard did everything. ‘I am the Ghost of Art,’ said he. ‘Two bob a-day now, and more when it’s longer! Hair’s the true expression. There is no other. I SAID I’D GROW IT, AND I’VE GROWN IT, AND IT SHALL HAUNT YOU!’ He may have tumbled down-stairs in the dark, but he never walked down or ran down. I looked over the banisters, and I was alone with the thunder. Need I add more of my terrific fate? IT HAS haunted me ever since. It glares upon me from the walls of the Royal Academy, (except when MACLISE subdues it to his genius,) it fills my soul with terror at the British Institution, it lures young artists on to their destruction. Go where I will, the Ghost of Art, eternally working the passions in hair, and expressing everything by beard, pursues me. The prediction is accomplished, and the victim has no rest. OUT OF TOWN SITTING, on a bright September morning, among my books and papers at my open window on the cliff overhanging the sea-beach, I have the sky and ocean framed before me like a beautiful picture. A beautiful picture, but with such movement in it, such changes of light upon the sails of ships and wake of steamboats, such dazzling gleams of silver far out at sea, such fresh touches on the crisp wave-tops as they break and roll towards me—a picture with such music in the billowy rush upon the shingle, the blowing of morning wind through the corn-sheaves where the farmers’ waggons are busy, the singing of the larks, and the distant voices of children at play—such charms of sight and sound as all the Galleries on earth can but poorly suggest.