Fields, windmills, low grounds, pollard-trees, windmills, fields, fortifications, Abbeville, soldiering and drumming. I wonder where England is, and when I was there last—about two years ago, I should say. Flying in and out among these trenches and batteries, skimming the clattering drawbridges, looking down into the stagnant ditches, I become a prisoner of state, escaping. I am confined with a comrade in a fortress. Our room is in an upper story. We have tried to get up the chimney, but there’s an iron grating across it, imbedded in the masonry. After months of labour, we have worked the grating loose with the poker, and can lift it up. We have also made a hook, and twisted our rugs and blankets into ropes. Our plan is, to go up the chimney, hook our ropes to the top, descend hand over hand upon the roof of the guard-house far below, shake the hook loose, watch the opportunity of the sentinels pacing away, hook again, drop into the ditch, swim across it, creep into the shelter of the wood. The time is come—a wild and stormy night. We are up the chimney, we are on the guard-house roof, we are swimming in the murky ditch, when lo! ‘Qui v’là?’ a bugle, the alarm, a crash! What is it? Death? No, Amiens. More fortifications, more soldiering and drumming, more basins of soup, more little loaves of bread, more bottles of wine, more caraffes of brandy, more time for refreshment. Everything good, and everything ready. Bright, unsubstantial-looking, scenic sort of station. People waiting. Houses, uniforms, beards, moustaches, some sabots, plenty of neat women, and a few old-visaged children. Unless it be a delusion born of my giddy flight, the grown-up people and the children seem to change places in France. In general, the boys and girls are little old men and women, and the men and women lively boys and girls. Bugle, shriek, flight resumed. Monied Interest has come into my carriage. Says the manner of refreshing is ‘not bad,’ but considers it French. Admits great dexterity and politeness in the attendants. Thinks a decimal currency may have something to do with their despatch in settling accounts, and don’t know but what it’s sensible and convenient. Adds, however, as a general protest, that they’re a revolutionary people—and always at it. Ramparts, canals, cathedral, river, soldiering and drumming, open country, river, earthenware manufactures, Creil. Again ten minutes. Not even Demented in a hurry. Station, a drawing-room with a verandah: like a planter’s house. Monied Interest considers it a band-box, and not made to last. Little round tables in it, at one of which the Sister Artists and attendant Mysteries are established with Wasp and Zamiel, as if they were going to stay a week.