Certain groundless metaphors, deeply rooted in the popular mind, have singularly distorted the truth in respect to these reptiles. It is commonly believed that the Chameleon often changes its shape, that it has no fixed colour belonging to itself, but takes that of all objects which it approaches. This singular idea has descended from very ancient times. According to the reports of Theophrastus and Plutarch, the Chameleon takes all colours in turn but white; according to Aristotle it changes colour all over the body; but Ælian seems to have had views more in accordance with those of modern observers, for he says when it takes other colours than grey and disguises itself, it covers only certain parts of the body with them. Altogether the ancients made the Chameleon a very fantastic animal; hence in the familiar comparisons of literature these fabulous beings serve as a type to designate uncertain principles; to paint fawning men, who have neither character nor individuality of their own, but who bend themselves to the will and adopt the opinions of others. Putting aside the imaginary attributes accorded to the Chameleon by the fancies of the ancients, and painting them such as they are, we still see in them animals most worthy of observation and highly interesting to the naturalist, as well for the singular formation of different parts of their bodies as for their remarkable habits, and even for peculiarities which have given some sanction to the errors and prejudices to which we have alluded. Chameleons have compressed bodies; the back round and projecting, or rather pyramidal; the skin granulated; the head angular, with salient occiput resting on a short and thick neck; their legs are slender; the hind, as well as the fore toes are five; the tail prehensile and round. The eyes are very large and protruding, their globes covered by a single shagreen-like eyelid, which the animal can dilate or contract at will, but which leaves little liberty to a small hole pierced at the centre, through which a quick and rather brilliant eye-ball is perceived. The eyes, in the Chameleon, are thus completely enveloped, as if they were too delicate to sustain any glaring light; but this is not all--their eyes have a singular mobility. By certain special muscular arrangements they have the power to direct them on objects either together or separate. Sometimes they turn their eyes in such a manner that one eye looks back and the other forward. With one eye they can see objects above them, while with the other they can see those situated below. It is a common saying in France, applied to the Chameleon, "that it could look into Champagne and see Picardy in flames."