Reptiles and Birds: A Popular Account of Their Various Orders, With a Description of the Habits and Economy of the Most InterestingFiguier, Louis
Science
Reptiles and Birds: A Popular Account of Their Various Orders, With a Description of the Habits and Economy of the Most Interesting
Figuier, Louis
Birds; Reptiles
The Swan, which belongs to the family of Lamellirostral Palmipedes, has
been an object of admiration in all ages for its noble and elegant
proportions, the graceful curvature of its neck, its small and shapely
oval head, its beak so prominent at the base, the gracefully-swelling
rotundity of its body, its plumage so abundant in down, and its colour
of purest white of the species with which we are most familiar, and is
the finest and largest of all our aquatic birds. On the water it is a
picture of elegant ease; it swims apparently without effort, and with
great rapidity; on the wing it rises to a great height, but on shore its
walk is slow and cumbersome. It is found in Europe, Asia, and America;
and in Australia the Black Swan, for ages the _rara avis_ of the poets,
is very abundant. In the wild state it lives on the lakes, rivers, and
sea-coasts of both hemispheres, feeding on such seeds, leaves, roots,
water-insects, frogs, and worms as come in its way. In its domestic
state it is the charm and ornament of our lakes and rivers; but, except
in some few instances, it is only kept for show, being jealous and cruel
in disposition, and incapable of being tamed.
[Illustration: Fig. 99.--Swans (_Cygnus olor_).]
The ancients thought the voice of the Swan musical and harmonious, and
its gracefully-rounded form and stately neck inspired many poets, who
have described it as the bird of gods and goddesses. The poetical
imagination of the Greeks, in short, associated their most agreeable
ideas with its name. It was one of their pleasing fictions that in dying
and breathing out its last sigh, the Swan celebrated its death by a
melodious song; or, as Eloy Johanneau has it--
"Le Cygne, à la fin de la vie,
Fait entendre un touchant accord,
Et d'une voix affaiblie
Chante lui-même en mort."
Buffon himself has drawn the portraiture of this bird in words more
poetical than true:--"The Swan," he says, "reigns over the water by
every claim which can constitute an empire of peace, grandeur, majesty,
and kindness.... He lives more in the character of a friend than a
monarch amid the numerous tribes of aquatic birds, all of which seem
willingly to place themselves under his rule."
The great naturalist certainly allowed himself to be led away by his
enthusiasm, and perhaps by his classic recollections; for the Swan,
although elegant and majestic in form, and graceful in its movements on
the water, is clumsy and awkward when on land; it is, besides, spiteful
and quarrelsome. It attacks every animal, and even man. The Swans in the
gardens of the Luxembourg at Paris had taken an aversion to all the
keepers, and whenever they saw one, they all came out of the water in
order to pick a quarrel with him.
Public-domain text, read in full here on John Shaqi.
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