These letters are of the same material as the _Essays of Elia_. The
germs, nay, the very phrases, of the latter are frequently to be found
in the former. This does not offend in Lamb's case, though as a rule a
good letter ought not forcibly to remind us of a good essay by the same
hand. Admirable as are Thackeray's lately published letters, the parts I
like best are those which remind me least of a _Roundabout Paper_. The
author is always apt to steal in, and the author is the very last person
you wish to see in a letter. But as you read Lamb's letters you never
think of the author: his personality carries you over everything. He
manages--I will not say skilfully, for it was the natural result of his
delightful character, always to address his letter to his
correspondent--to make it a thing which, apart from the correspondent,
his habits and idiosyncrasies, could not possibly have existed in the
shape it does. One sometimes comes across things called letters, which
might have been addressed to anybody. But these things are not letters:
they are extracts from journals or circulars, and are usually either
offensive or dull.
Lamb's letters are not indeed model letters like Cowper's. Though
natural to Lamb, they cannot be called easy. 'Divine chit-chat' is not
the epithet to describe them. His notes are all high. He is sublime,
heartrending, excruciatingly funny, outrageously ridiculous, sometimes
possibly an inch or two overdrawn. He carries the charm of incongruity
and total unexpectedness to the highest pitch imaginable. John Sterling
used to chuckle over the sudden way in which you turn up Adam in the
following passage from a letter to Bernard Barton:
'DEAR B. B.--You may know my letters by the paper and the folding. For
the former I live on scraps obtained in charity from an old friend,
whose stationery is a permanent perquisite; for folding I shall do it
neatly when I learn to tie my neckcloths. I surprise most of my friends
by writing to them on ruled paper, as if I had not got past pot-hooks
and hangers. Sealing-wax I have none in my establishment; wafers of the
coarsest bran supply its place. When my epistles come to be weighed with
Pliny's, however superior to them in Roman delicate irony, judicious
reflections, etc., his gilt post will bribe over the judges to him. All
the time I was at the E. I. H. I never mended a pen. I now cut 'em to
the stumps, marring rather than mending the primitive goose-quill. I
cannot bear to pay for articles I used to get for nothing. When Adam
laid out his first penny upon nonpareils at some stall in Mesopotamos, I
think it went hard with him, reflecting upon his old goodly orchard
where he had so many for nothing.'
Public-domain text, read in full here on John Shaqi.
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