I The news of Mr. Arnold's sudden death at Liverpool struck a chill into many hearts, for although a somewhat constrained writer (despite his playfulness) and certainly the least boisterous of men, he was yet most distinctly on the side of human enjoyment. He conspired and contrived to make things pleasant. Pedantry he abhorred. He was a man of this life and this world. A severe critic of the world he indeed was, but finding himself in it and not precisely knowing what is beyond it, like a brave and true-hearted man he set himself to make the best of it. Its sight and sounds were dear to him. The 'uncrumpling fern,' the eternal moon-lit snow, 'Sweet William with its homely cottage-smell,' 'the red grouse springing at our sound,' the tinkling bells of the 'high-pasturing kine,' the vagaries of men, women, and dogs, their odd ways and tricks, whether of mind or manner, all delighted, amused, tickled him. Human loves, joys, sorrows, human relationships, ordinary ties interested him: 'The help in strife, The thousand sweet still joys of such As hand in hand face earthly life.' In a sense of the words which is noble and blessed, he was of the Earth Earthy. In his earlier days Mr. Arnold was much misunderstood. That rowdy Philistine the _Daily Telegraph_ called him 'a prophet of the kid-glove persuasion,' and his own too frequent iteration of the somewhat dandiacal phrase 'sweetness and light' helped to promote the notion that he was a fanciful, finikin Oxonian, 'A fine puss gentleman that's all perfume,' quite unfit for the most ordinary wear and tear of life. He was in reality nothing of the kind, though his literary style was a little in keeping with this false conception. His mind was based on the plainest possible things. What he hated most was the fantastic--the far-fetched, all elaborated fancies, and strained interpretations. He stuck to the beaten track of human experience, and the broader the better. He was a plain-sailing man. This is his true note. In his much criticised, but as I think admirable introduction to the selection he made from Wordsworth's poems, he admits that the famous _Ode on Intimations of Immortality from Recollections in Early Childhood_ is not one of his prime favourites, and in that connection he quotes from Thucydides the following judgment on the early exploits of the Greek Race and applies it to these intimations of immortality in babies. 'It is impossible to speak with certainty of what is so remote, but from all that we can really investigate I should say that they were no very great things.'