The pleasure it is lawful to take in the truthfulness of Mr. Arnold's
poetry should not be allowed to lead his lovers into the pleasant paths
of exaggeration. The Muses dealt him out their gifts with a somewhat
niggardly hand. He had to cultivate his Sparta. No one of his admirers
can assert that in Arnold
'The force of energy is found,
And the sense rises on the wings of sound.'
He is no builder of the lofty rhyme. This he was well aware of. But
neither had he any ample measure of those 'winged fancies' which wander
at will through the pages of Apollo's favourite children. His strange
indifference to Shelley, his severity towards Keats, his lively sense of
the wantonness of Shakespeare and the Elizabethans, incline us to the
belief that he was not quite sensible of the advantages of a fruitful as
compared with a barren soil. His own crop took a good deal of raising,
and he was perhaps somewhat disposed to regard luxuriant growths with
disfavour.
But though severe and restricted, and without either grandeur or fancy,
Arnold's poetry is most companionable. It never teases you--there he has
the better of Shelley--or surfeits you--there he prevails over Keats. As
a poet, we would never dare or wish to class him with either Shelley or
Keats, but as a companion to slip in your pocket before starting to
spend the day amid
'The cheerful silence of the fells,'
you may search far before you find anything better than either of the
two volumes of Mr. Arnold's poems.
His own enjoyment of the open air is made plain in his poetry. It is no
borrowed rapture, no mere bookish man's clumsy joy in escaping from his
library, but an enjoyment as hearty and honest as Izaak Walton's. He has
a quick eye for things, and rests upon them with a quiet satisfaction.
No need to give instances; they will occur to all. Sights and sounds
alike pleased him well. So obviously genuine, so real, though so quiet,
was his pleasure in our English lanes and dells, that it is still
difficult to realise that his feet can no longer stir the cowslips or
his ear hear the cuckoo's parting cry.
Public-domain text, read in full here on John Shaqi.
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