Resonance in Singing and SpeakingFillebrown, Thomas
Science
Resonance in Singing and Speaking
Fillebrown, Thomas
Voice culture
BREATHING, art of, 3;
an amplification of the daily habit, 5;
defined as singing, 23;
correct, 25, 28;
not differing in sex, 26;
vicious habits of, 26;
controlling deeply, 26;
tests of, 26;
nose versus mouth, 26;
regularity of, 26;
in obtaining power and largeness of tone, 27;
for high tones, 27;
relation of, to nervousness, 27;
rhythmic, 27;
necessity of exercises, 27;
illustrations of, 28, 29;
exercises in, 33-37;
economy in, 30;
tests in, by Professor Mills, 30;
exaggerated control of, 30;
exhaustion, 31;
initial force in, 31;
reserve power in, 31;
mastery of, 32.
(See also _Abdominal breathing_.)
BROSCHI, DON CARLO, breath control of, 36.
BROWNE, DR. LENNOX, on the laryngoscope, 3.
BROWNE and BEHNKE, on nasal resonance, 53.
CHEST, expansion of and resonance, 49.
CHEST-ABDOMINAL BREATHING, 25;
illustrated in sleeping child, 25;
tests in, 26;
illustrated, 28, 29.
CHEST TONES, former emphasis given to, 2;
wrongly termed, 5.
CLAY, HENRY, as a good speaker, 16.
CLOSED TONES, former emphasis given to, 2;
wrongly termed, 5.
CRYER, DR. W.H., on the frontal sinus, 12.
CULTURE OF THE VOICE (see _Voice culture_).
DEEP BREATHING, importance of, for the actor, 19.
(See also _Breathing_.)
DETERRENTS TO BEAUTIFUL SINGING, 84, 85.
DIAPHRAGM, in breathing, 19;
not a muscle of expiration, 23;
described, 23, 24;
in inspiration, 24;
in expiration, 24;
illustrated, 24, 29.
DIFFERENCE BETWEEN SINGING AND SPEAKING, 17.
EAR, function of, in tone production, 57;
training of, 57.
EE-sound, lip position for, 20;
in exercises, 57, 59, etc.
EFFORT, TENSE, a deterrent to beautiful singing, 84.
EMOTION, effect on tone quality, 7;
excess of, a deterrent to beautiful singing, 84.
EMPIRICISTS, where they have failed, 4.
EPIGLOTTIS, 10.
ESSENTIALS, application of, 79.
ETHMOID BONE, 8.
ETHMOIDAL SINUSES, illustrated, 7;
function of, 12.
EVERETT, EDWARD, as a good speaker, 16.
EXERCISES, BREATHING:
necessity of, 27, 33;
preliminary suggestions, 33, 34;
attitude in taking, 34;
I, to show what a deep breath is, 34;
II, slow inhalation with sudden expulsion, 35;
III, sipping the breath, with quick exhalation, 35;
IV, for rib expansion, 35;
V, slow inhalation with slow expiration, 36;
VI, rapid inspiration with slow expiration, 36;
VII, Farinelli's great exercise, 36;
VIII, the cleansing breath, 37;
half breath, 37.
Public-domain text, read in full here on John Shaqi.
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