Old Mathew Partridgeberry, a recluse who lived in a house halfway up
the mountain, heard the racket and came to see who was making it.
Peeping between hazel leaves, he saw the children in their hornet
stripes, and the old man in his. Not since his own distant childhood
had he seen bathing suits like these! It gave him a turn. For a moment
he felt a chill of superstition: could it be ... ghosts? A switch
in time?... But then he smiled to himself. No. These were real live
children; live, loud twentieth century children. A prank of some sort,
or a game, no doubt. Still smiling, he turned away and was lost in the
shrubbery, and no one ever knew that he had been there.
12
_The Plan_
It was a beautiful summer. There was just enough rain to keep the land
green and the farmers contented, but most of the days were warm and
fair.
The children swam, roamed, rode their bicycles up hill and down dale,
picnicked, conducted meetings in the club, and paid visits almost daily
to their Gone-Away friends. In the long, light evenings they played
Prisoner's Base and Any Over and Allee, Allee, In-Free.
In addition, they had their private projects. Foster and Davey, though
they had their own little house on Craneycrow, decided to build
themselves another in the boughs of an oak tree on "The Property." They
went to work with hammers and nails, inflicting so many minor injuries
upon themselves that Julian said the tree house should be named Palazzo
Band-Aid. Between hammerings, the little boys could be heard arguing
and conversing, shrill as the sparrows that clustered in the Boston ivy.
Portia and Lucy practiced ballet (Lucy took lessons in Albany).
They had scratched out a garden for themselves containing only the
vegetables they preferred: tomatoes, lettuce, onions, and carrots.
"No beets!" Portia said firmly.
"No spinach!" said Lucy.
"Oh, no, never! And absolutely no cucumbers and no broccoli and no
cabbages!"
Another project was the rehabilitation of the six sad little rooms in
the attic. Mr. Ormond Horton donated the paint, but the girls proposed
to do the work themselves.
"Let's have each one a different color," said Portia. "One blue, one
green, one red--or, no, pink--"
"And one yellow, and one orange, and--what other colors are there?"
"Purple?" suggested Portia.
"Yes, why not! I never did see a purple room."
Fortunately for them, the rooms were tiny. Even so, the work was harder
than they had supposed, and nobody would help them. The little boys
offered to hopefully, but were refused.
"You know what _that_ would mean," Portia said darkly.
"Paint _everywhere_ but on the walls," said Lucy, sounding like her own
grandmother. She had a green streak in her hair that wouldn't wash out,
and Portia's fingernails were purple. But it was all in a good cause;
the rooms were beginning to look cheerful, to say the least.
Public-domain text, read in full here on John Shaqi.
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