Revelations of a Wife: The Story of a HoneymoonGarrison, Adele
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Revelations of a Wife: The Story of a Honeymoon
Garrison, Adele
Married people -- Fiction
"Your friend, Gordon, has just gotten in from one of those mysterious
voyages of his to parts unknown," he said. "He was delayed in reaching
the city, only got in last night, too late to telephone us. Seems
he had some cherished scheme of having us his guests at a blowout.
Wouldn't mind going if we hadn't asked these people here, for they say
his little dinners are something to dream about, they're so unique. Of
course, there was nothing else for me to do but to invite him out. I
thought you wouldn't mind."
In Dicky's tone there was a doubtful inflection which I read
correctly. He knew of my interest in the elderly man of mystery who
had known my parents so well, and I was sure that he thought I would
be overjoyed because he had extended the invitation.
I was glad that I could honestly disabuse his mind of this idea, for I
had a curious little feeling that Dicky disliked more than he appeared
to do the attentions paid to me by Mr. Gordon.
It was less than an hour before the taxi bearing the first of our
guests swung into the driveway and Lillian and Harry Underwood stepped
out.
Lillian's head and face were so swathed in veils that I did not
realize what the change in her appearance of which she had warned me
was until I was alone with her in my room, which I intended giving up
to her and her husband while they stayed. Then, as she took off her
hat and veils, I almost cried out in astonishment--for at my first,
unaccustomed glance, instead of the rouged and powdered face, and dyed
hair, which to me had been the only unpleasant things about Lillian
Underwood, the face of an old woman looked at me, and the hair above
it was gray!
There were the remnants of great youthful beauty in Lillian's face.
Nay, more, there were wonderful possibilities when the present crisis
in her life, whatever it might be, should have passed. But the effect
of the change in her was staggering.
"Awful, isn't it?" she said, coming up to me. "No, don't lie to me,"
as she saw a confused, merciful denial rise to my lips. "There are
mirrors everywhere, you know. There's one comfort, I can't possibly
ever look any worse than I do now, and when my hair gets over the
effect of its long years of dyeing, and my present emotional crisis
becomes less tense I probably shall not be such a fright. But oh, my
dear, how glad I am to be with you. I need you so much just now."
Public-domain text, read in full here on John Shaqi.
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