Reveries of a Bachelor; or, A Book of the HeartMitchell, Donald Grant
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Reveries of a Bachelor; or, A Book of the Heart
Mitchell, Donald Grant
American essays -- 19th century
—Pshaw! I say—it is idle! and I bury my thought in books, and in long
hours of toil; but as the hours lengthen, and my head sinks with
fatigue, and the shadows of evening play around me, there comes again
that sweet vision, saying with tender mockery—is it idle? And I am
helpless, and am led away hopefully and joyfully toward the golden gates
which open on the Future.
But this is only in those silent hours when the man is alone and away
from his working thoughts. At midday, or in the rush of the world, he
puts hard armor on that reflects all the light of such joyous fancies.
He is cold and careless, and ready for suffering, and for fight.
One day I am traveling; I am absorbed in some present cares—thinking out
some plan which is to make easier or more successful the voyage of life.
I glance upon the passing scenery, and upon new faces, with that
careless indifference which grows upon a man with years, and, above all,
with travel. There is no wife to enlist your sympathies—no children to
sport with; my friends are few and scattered, and are working out fairly
what is before them to do. Lilly is living here, and Ben is living
there; their letters are cheerful, contented letters; and they wish me
well. Griefs even have grown light with wearing, and I am just in that
careless humor—as if I said—jog on, old world—jog on! And the end will
come along soon, and we shall get—poor devils that we are—just what we
deserve!
But on a sudden my eyes rest on a figure that I think I know. Now the
indifference flies like mist, and my heart throbs, and the old visions
come up. I watch her, as if there were nothing else to be seen. The form
is hers; the grace is hers; the simple dress—so neat, so tasteful—that
is hers, too. She half turns her head—it is the face that I saw under
the velvet cap in the park of Devon.
I do not rush forward; I sit as if I were in a trance. I watch her every
action—the kind attentions to her mother who sits beside her—her naïve
exclamations as we pass some point of surpassing beauty. It seems as if
a new world were opening to me; yet I can not tell why. I keep my place,
and think, and gaze. I tear the paper I hold in my hand into shreds. I
play with my watch chain, and twist the seal until it is near breaking.
I take out my watch, look at it, and put it back—yet I can not tell the
hour.
—It is she—I murmur—I know it is Carry!
But when they rise to leave, my lethargy is broken; yet it is with a
trembling hesitation—a faltering, as it were, between the present life
and the future—that I approach. She knows me on the instant, and greets
me kindly—as Bella wrote—very kindly, yet she shows a slight
embarrassment, a sweet embarrassment, that I treasure in my heart more
closely even than the greeting. I change my course and travel with them;
now we talk of the old scenes, and two hours seem to have made with me
the difference of half a lifetime.
Public-domain text, read in full here on John Shaqi.
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