Reveries of a Bachelor; or, A Book of the HeartMitchell, Donald Grant
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Reveries of a Bachelor; or, A Book of the Heart
Mitchell, Donald Grant
American essays -- 19th century
——that fearful closet at the foot
Lurking for prey, which, when a victim came,
Grew less and less; contracting to a span
An iron door, urged onward by a screw,
Forcing out life!
[Illustration]
I sail, listening to nothing but the dip of the gondolier’s oar, or to
_her_ gentle words, fast under the palace door, which closed that
fearful morning on the guilt and shame of Bianca Capello. Or, with souls
lit up by the scene, into a buoyancy that can scarce distinguish between
what is real and what is merely written—we chase the anxious step of the
forsaken Corinna; or seek among the veteran palaces the casement of the
old Brabantio—the chamber of Desdemona—the house of Jessica, and trace
among the strange Jew money-changers, who yet haunt the Rialto, the
likeness of the bearded Shylock. We wander into stately churches,
brushing over grass, or tell-tale flowers that grow in the court, and
find them damp and cheerless; the incense rises murkily and rests in a
thick cloud over the altars, and over the paintings; the music, if so be
that the organ notes are swelling under the roof, is mournfully
plaintive.
Of an afternoon we sail over to the Lido, to gladden our eyes with a
sight of land and green things, and we pass none upon the way, save
silent oarsmen, with barges piled high with the produce of their
gardens—pushing their way down toward the floating city. And upon the
narrow island, we find Jewish graves, half covered by drifted sand; and
from among them, watch the sunset glimmering over a desolate level of
water. As we glide back, lights lift over the lagoon, and double along
the Guideca and the Grand Canal. The little neighbor isles will have
their company of lights dancing in the water; and from among them will
rise up against the mellow evening sky of Italy gaunt, unlighted houses.
After the nightfall, which brings no harmful dew with it, I stroll, with
her hand within my arm—as once upon the sea, and in the English park,
and in the home-land—over that great square which lies before the palace
of St. Marks. The white moon is riding in the middle heaven, like a
globe of silver; the gondoliers stride over the echoing stones; and
their long black shadows, stretching over the pavement, or shaking upon
the moving water, seem like great funereal plumes, waving over the bier
of Venice.
Carrying thence whole treasures of thought and fancy, to feed upon in
the after years, we wander to Rome.
Public-domain text, read in full here on John Shaqi.
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