Reveries of a Bachelor; or, A Book of the HeartMitchell, Donald Grant
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Reveries of a Bachelor; or, A Book of the Heart
Mitchell, Donald Grant
American essays -- 19th century
At length my eyes rest upon the coveted fields of Britain; and in a day
more, the bright face, looking out beside me, sparkles at sight of the
sweet cottages, which lie along the green Essex shores. Broad-sailed
yachts, looking strangely, yet beautifully, glide upon the waters of the
Thames, like swans; black, square-rigged colliers from the Tyne, lie
grouped in sooty cohorts; and heavy, three-decked Indiamen—of which I
had read in story books—drift slowly down with the tide. Dingy steamers,
with white pipes, and with red pipes, whiz past us to the sea, and now
my eye rests on the great palace of Greenwich; I see the wooden-legged
pensioners smoking under the palace walls; and above them upon the
hill—as Heaven is true—that old, fabulous Greenwich, the great center of
schoolboy longitude.
Presently, from under a cloud of murky smoke heaves up the vast dome of
St. Paul’s, and the tall column of the fire, and the white turrets of
London Tower. Our ship glides through the massive dock gates, and is
moored, amid the forest of masts which bears golden fruit for Britons.
That night, I sleep far away from “the old school,” and far away from
the valley of Hillfarm; long, and late, I toss upon my bed, with sweet
visions in my mind, of London Bridge, and Temple Bar, and Jane Shore,
and Falstaff, and Prince Hal, and King Jamie. And when at length I fall
asleep my dreams are very pleasant, but they carry me across the ocean,
away from the ship—away from London—away even from the fair voyager—to
the old oaks, and to the brooks, and—to thy side—sweet Isabel!
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[Illustration]
THE FATHERLAND
THERE is a great contrast between the easy deshabille of the ocean life,
and the prim attire, and conventional spirit of the land. In the first,
there are but few to please, and these few are known, and they know us;
upon the shore, there is a world to humor, and a world of strangers. In
a brilliant drawing-room looking out upon the site of old Charing-Cross,
and upon the one-armed Nelson, standing aloft at his coil of rope, I
take leave of the fair voyager of the sea. Her white negligé has given
place to silks; and the simple careless coiffe of the ocean, is replaced
by the rich dressing of a modiste. Yet her face has the same bloom upon
it; and her eye sparkles, as it seems to me, with a higher pride; and
her little hand has I think a tremulous quiver in it (I am sure my own
has)—as I bid her adieu, and take up the trail of my wanderings into the
heart of England.
Public-domain text, read in full here on John Shaqi.
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