Reveries of a Bachelor; or, A Book of the HeartMitchell, Donald Grant
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Reveries of a Bachelor; or, A Book of the Heart
Mitchell, Donald Grant
American essays -- 19th century
At another time, and many months later, I am walking under a wood of
Scottish firs. It is near nightfall, and the fir tops are swaying, and
sighing hoarsely, in the cool wind of the Northern Highlands. There is
none of the smiling landscape of England about me; and the crags of
Edinburgh and Castle Stirling, and sweet Perth, in its silver valley,
are far to the southward. The larches of Athol and Bruar Water, and that
highland gem—Dunkeld, are passed. I am tired with a morning’s tramp over
Culloden Moor; and from the edge of the wood there stretches before me,
in the cool gray twilight, broad fields of heather. In the middle, there
rise against the night-sky, the turrets of a castle; it is Castle
Cawdor, where King Duncan was murdered by Macbeth.
The sight of it lends a spur to my weary step; and emerging from the
wood, I bound over the springy heather. In an hour, I clamber a broken
wall, and come under the frowning shadows of the castle. The ivy
clambers up here and there, and shakes its uncropped branches, and its
dried berries over the heavy portal. I cross the moat, and my step makes
the chains of the drawbridge rattle. All is kept in the old state; only
in lieu of the warder’s horn, I pull at the warder’s bell. The echoes
ring, and die in the stone courts; but there is no one astir, nor is
there a light at any of the castle windows. I ring again, and the echoes
come, and blend with the rising night wind that sighs around the
turrets, as they sighed that night of murder. I fancy—it must be a
fancy—that I hear an owl scream; I am sure that I hear the crickets cry.
I sit down upon the green bank of the moat; a little dark water lies in
the bottom. The walls rise from it gray and stern in the deepening
shadows. I hum chance passages of Macbeth, listening for the
echoes—echoes from the wall; and echoes from that far-away time, when I
stole the first reading of the tragic story.
“Did’st thou not hear a noise?
I heard the owl scream, and the crickets cry.
Did you not speak?
When?
Now.
As I descended?
Ay.
——Hark!”
And the sharp echo comes back—“Hark!” And at dead of night, in the
thatched cottage under the castle walls, where a dark-faced, Gaelic
woman, in plaid turban, is my hostess, I wake, startled by the wind, and
my trembling lips say involuntarily—“hark!”
Public-domain text, read in full here on John Shaqi.
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