Reveries of a Bachelor; or, A Book of the HeartMitchell, Donald Grant
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Reveries of a Bachelor; or, A Book of the Heart
Mitchell, Donald Grant
American essays -- 19th century
At night, in some little meager mountain town, we stroll about in the
narrow passways, or wander under the heavy arches of the mountain
churches. Shuffling old women grope in and out; dim lamps glimmer
faintly at the side altars, shedding horrid light upon painted images of
the dying Christ. Or, perhaps, to make the old pile more solemn, there
stands some bier in the middle, with a figure or two kneeling at the
foot, and ragged boys move stealthily under the shadows of the columns.
Presently comes a young priest, in black robes, and lights a taper at
the foot, and another at the head—for there is a dead man on the bier;
and the parched, thin features look awfully under the yellow light of
the tapers, in the gloom of the great building. It is very, very damp in
the church, and the body of the dead man seems to make the air heavy, so
we go out into the starlight again.
In the morning, the western slopes wear broad shadows, and the frosts
crumple, on the herbage, to our tread: across the valley, it is like
summer; and the birds—for there are songsters in the Appenines—make
summer music. Their notes blend softly with the faint sounds of some
far-off convent bell, tolling for morning mass, and strike the frosted
and shaded mountain side, with a sweet echo. As we toil on, and the
shaded hills begin to glow in the sunshine, we pass a train of mules,
loaded with wine. We have seen them an hour before—little black dots
twining along the white streak of footway upon the mountain above us. We
lost them as we began to ascend, until a wild snatch of an Appenine song
turned our eyes up, and there, straggling through the brush, they
appeared again; a foot slip would have brought the mules and wine casks
rolling upon us. We keep still, holding by the brushwood, to let them
pass. An hour more, and we see them toiling slowly—mule and muleteer—big
dots and little dots—far down where we have been before. The sun is hot
and smoking on them in the bare valleys; the sun is hot and smoking on
the hill side, where we are toiling over the broken stones. I thought of
little Enrica, when she said: “the spring was coming!”
Time and again we sit down together—my friend and I—upon some fragment
of rock, under the broad-armed chestnuts, that fringe the lower skirts
of the mountains, and talk through the hottest of the noon, of the
warriors of Sylla, and of the Sabine woman—but oftener—of the pretty
peasantry, and of the sweet-faced Roman girl. He, too, tells me of his
life and loves, and of the hopes that lie misty and grand before him:
little did we think that in so few years, his hopes would be gone, and
his body lying low in the Adriatic, or tossed with the drift upon the
Dalmatian shores! Little did I think that here under the ancestral
wood—still a wishful and blundering mortal, I should be gathering up the
shreds that memory can catch of our Appenine wandering, and be weaving
them into my bachelor dreams.
Public-domain text, read in full here on John Shaqi.
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