It is a relief to turn to the few chapters that deal directly with the social life and thought of the Greeks. Here Mr. Mahaffy is very pleasant reading indeed. His account of the colleges at Athens and Alexandria, for instance, is extremely interesting, and so is his estimate of the schools of Zeno, of Epicurus, and of Pyrrho. Excellent, too, in many points is the description of the literature and art of the period. We do not agree with Mr. Mahaffy in his panegyric of the Laocoon, and we are surprised to find a writer, who is very indignant at what he considers to be the modern indifference to Alexandrine poetry, gravely stating that no study is 'more wearisome and profitless' than that of the Greek Anthology. The criticism of the new comedy, also, seems to us somewhat pedantic. The aim of social comedy, in Menander no less than in Sheridan, is to mirror the manners, not to reform the morals, of its day, and the censure of the Puritan, whether real or affected, is always out of place in literary criticism, and shows a want of recognition of the essential distinction between art and life. After all, it is only the Philistine who thinks of blaming Jack Absolute for his deception, Bob Acres for his cowardice, and Charles Surface for his extravagance, and there is very little use in airing one's moral sense at the expense of one's artistic appreciation. Valuable, also, though modernity of expression undoubtedly is, still it requires to be used with tact and judgment. There is no objection to Mr. Mahaffy's describing Philopoemen as the Garibaldi, and Antigonus Doson as the Victor Emmanuel of his age. Such comparisons have, no doubt, a certain cheap popular value. But, on the other hand, a phrase like 'Greek Pre-Raphaelitism' is rather awkward; not much is gained by dragging in an allusion to Mr. Shorthouse's John Inglesant in a description of the Argonautics of Apollonius Rhodius; and when we are told that the superb Pavilion erected in Alexandria by Ptolemy Philadelphus was a 'sort of glorified Holborn Restaurant,' we must say that the elaborate description of the building given in Athenaeus could have been summed up in a better and a more intelligible epigram.