The most remarkable features of the experiences I am about to record
are the methodical consecutiveness of their sequences, and the
intelligent purpose disclosed alike in the events witnessed and in the
words heard or read. . . . I know of no parallel to this phenomenon,
unless in the pages of Bulwer Lytton's romance entitled The Pilgrims
of the Rhine, in which is related the story of a German student
endowed with so marvellous a faculty of dreaming, that for him the
normal conditions of sleeping and waking became reversed; his true
life was that which he lived in his slumbers, and his hours of
wakefulness appeared to him as so many uneventful and inactive
intervals of arrest, occurring in an existence of intense and vivid
interest which was wholly passed in the hypnotic state. . . .
During the whole period covered by these dreams I have been busily and
almost continuously engrossed with scientific and literary pursuits,
demanding accurate judgment and complete self-possession and rectitude
of mind. At the time when many of the most vivid and remarkable
visions occurred I was following my course as a student at the Paris
Faculty of Medicine, preparing for examinations, daily visiting
hospital wards as dresser, and attending lectures. Later, when I had
taken my degree, I was engaged in the duties of my profession and in
writing for the Press on scientific subjects. Neither had I ever
taken opium, haschish, or other dream-producing agent. A cup of tea
or coffee represents the extent of my indulgences in this direction. I
mention these details in order to guard against inferences which might
otherwise be drawn as to the genesis of my faculty.
It may, perhaps, be worthy of notice that by far the larger number of
the dreams set down in this volume occurred towards dawn; sometimes
even, after sunrise, during a 'second sleep.' A condition of fasting,
united possibly with some subtle magnetic or other atmospheric state,
seems, therefore, to be that most open to impressions of the kind.
Public-domain text, read in full here on John Shaqi.
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