Slavery -- United States -- Fiction; Underground Railroad -- Fiction
The words of the negro song, in a negro woman’s voice, came floating
into the room, mingled with the sounds of broom and scrubbing brush.
They brought to Rhoda instant memory of Mary Ellen’s melodious tones,
singing in happy unconsciousness of peril, and of her own strained
and fearful attention as she listened to the footsteps steps of the
marshal’s posse. And then like a flash passed before her mind’s eye
the ashen face and shaking figure of Mary Ellen, as her father and Jim
lifted her from the box that had almost been her deathbed.
The numbing waters fell away, she raised her hand and pressed it
against her heart with the impulsive, unconscious gesture he knew so
well, and moved apart.
“Jeff, it’s no use talking any more about this,” she said in tremulous
accents. “The last time we said all that is to be said.”
“Don’t say that! It makes everything so bare and hopeless! It makes me
fear that you have killed your love. Rhoda, you do love me, yet?”
She turned slowly toward him and lifted her downcast face, alight with
all the glow that was in her heart. “Jeff,” and the word as it came
from her tenderly smiling lips was a caress, “Jeff, I love you so
much that my heart has made me forgive you even that you allowed Mary
Ellen--Lear White--to be sold.”
“My sweet! And I love you so much that my heart has made me forgive
even your stealing her away!”
For a moment it seemed to them that gray eyes and brown melted into
each other. And then the comedy of their cross-conscienced hearts
struck her sense of humor, the corners of her mouth trembled and
deepened and a smile flashed over her face and sparkled in her eyes.
At that they both laughed, softly, in the tenderness of perfect
understanding. Then she saw the old baffled, determined look overspread
his face as turning sharply he strode across the room and back.
“My God, Rhoda! Why have our hearts snared us into this misery? Why
don’t you loathe me as you do all that I believe in and stand for?
Why can’t I condemn and scorn you as I do all the rest of your tribe?
Why must I, when I detest and am injured by what is dearest to you,
still see in you my ideal of all that is lovable and womanly? My love,
my love, why can’t I hate you instead of loving you so that you are
the only woman in all the world I want for my wife? Must our love be
forever a curse instead of a blessing?”
He flung himself into a chair beside the table, every muscle of his
body expressive of anger and rebellion at the mysterious forces of
human life that had played this scurvy trick upon them, pitted against
each other loving heart and steadfast conscience and left them, like
two cocks in a pit, to fight it out in a struggle to the death.
Public-domain text, read in full here on John Shaqi.
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