England -- Social life and customs -- Fiction; Orphans -- Fiction; Uncles -- Fiction; Young women -- Fiction
Aunt Ellen's room had escaped the pillaged appearance which upstairs at
the Deanery was even more conspicuous than below; it was crowded with
religious pictures in religious Oxford frames, religious Gothic
furniture, and religious books. Apart from the fruit of her own
religious tastes, Aunt Ellen had directly inherited from the Bishop of
Clapham his religious equipment (accoutrements would be too highly
coloured a word for the relics of that broad-minded prelate); and
perhaps because she was fond of her episcopal father she had hesitated
to sacrifice his memory, together with her husband and the rest of the
household, upon the common altar of those six household gods, her sons.
At any rate, when she carefully explained to her niece that the room was
a sanctuary not so much for her own use as for old time's sake, Jasmine
accepted its survival as due to some sentimental reason. But if Aunt
Ellen's room had escaped, Aunt Ellen herself had certainly not. The
weather-beaten gauntness of Uncle Eneas and Uncle Hector was in Aunt
Ellen much exaggerated, although an aquiline nose preserved her from
being what she otherwise certainly would have been, a grotesque of
English womanhood, or rather, what English people would like to consider
a grotesque of English womanhood; Jasmine, however, with many years'
experience of English tourists landing at Sirene after a rough voyage
across the Bay of Naples, considered Aunt Ellen to be typically English.
She had acquired that masculine look which falls to so many women who
have produced a number of sons. When Jasmine knew her better she found
that her religious views and emotions resembled the religious views and
emotions that are so widely spread among men of action, such as sea
captains and Indian colonels. Her ignorance of anything except the
gentlemanly religion of the professional classes was unlimited; her
prejudice was unbounded. Jasmine soon discovered that the main reason
why she had not been invited to the Deanery before was her aunt's fear
of introducing a papist into the household. It was this, apparently,
that weighed much more with her than the accounts she had received from
Lady Grant of their niece's behaviour. True, she informed Jasmine that
she had been anxious to correct the looseness of her moral tone. But how
could she compete with priest-craft? She actually asked her niece this!
Her religious apprehensions were only overcome by the menace of waking
up one morning to find Jasmine the sole heiress of Uncle Matthew's
fortune, which, as she wrote to her sister-in-law, without presuming to
impugn the disposition of God, would be entirely unjust. It was not that
she dreaded a direct competition with her own boys, because, proud
though she was of them and of herself for having produced them, she
never deceived herself into supposing that a personal encounter between
them and their uncle would be anything but fatal, not merely to their
chances of ultimate wealth, but also to her own.
Public-domain text, read in full here on John Shaqi.
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