England -- Social life and customs -- Fiction; Orphans -- Fiction; Uncles -- Fiction; Young women -- Fiction
This was said with so much meaning that Jasmine immediately visualized
herself carrying books up and down the Deanery stairs day in day out
through the whole of the summer.
"I told you about the difficulty he had with his typewriting, and how
anxious he was that Ethelred should learn, but the dear boy's mind was
so bent on mechanics that he was always taking the machine to pieces.
Very cleverly, I'm bound to say. But of course it occupied a good deal
of his time. So now he practises the piano again instead. People tell me
he's very musical."
While Aunt Ellen was talking, they were walking up and down short
irregular flights of stairs and along narrow corridors, the floors of
which were billowy with age, until at last they came to a corridor at
the head of which was a large placard marked SILENCE.
"The boys are not allowed along here," said their mother with a sigh, as
if by not being allowed along here they were being deprived of the main
pleasure of their existence.
"Uncle Arnold does not like us to knock," she explained when they came
to the door at the end of the corridor, on which was another label DO
NOT KNOCK. She opened the door, and Jasmine was aware of a long, low,
sunny room under a groined ceiling, the gabled windows of which were
shaded with lucent green. The floor was littered with docketed papers
and heaped high with books from which cardboard slips protruded. From
the fact that the windows looked out on the Close instead of on the
garden, Jasmine divined that the Cathedral Close was considerably
quieter than the Deanery garden. Seated at a large table at the far end
of the room was her uncle, or rather what she supposed to be her uncle,
for her first impression was that somebody had left a large ostrich egg
on the table.
"Jasmine," her aunt announced.
Public-domain text, read in full here on John Shaqi.
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