It is hardly possible to picture anybody who lives between Baker Street and Portland Road, however happy he may be, however much in love with life he may feel, as able to maintain an attitude toward life more vital than the exhibition of waxworks in the galleries of Madame Tussaud. There were moments when Jasmine felt that the waxworks were the real population of this district, and sometimes when in the late dusk or at night she was walking down Harley Street or any of the neighbouring streets she would receive a strong impression that all the houses were serving like stage scenery to give nothing but an illusion of reality. This morbid fancy might be justified by the fact that so many of the houses actually were unoccupied at night, and that in the daytime they were haunted not inhabited by figures in the world of medicine who by the uniformity and convention of their gestures and observations had no more life than waxworks. Moreover, passers-by in Harley Street and the neighbourhood had among them such a large proportion of sick men and women that even if one ignored the successive brass plates of the doctors, their presence alone would be enough to cast a gloom on any observer that happened to come into daily contact with such a procession of afflicted individuals. Jasmine's window, high up in the front of the house, never contributed anything to the gaiety of her private meditations, and she used to think that if a famous prisoner, he of Chillon or any other, had been invited to change his outlook with her own, he would soon have begged to be put back in his dungeon. Many human beings, ailing, miserable, poverty-stricken, victims of misfortune or suppliants of fate, have found in a window their salvation. Jasmine was not one of these. She never seemed able to look out of her window without seeing some hunched-up man or wrapped-up woman who was being helped up a flight of steps, at the head of which the conventionally neat parlourmaid would admit them to their doom; and she used to picture these patients when the sleek doors closed behind them being greeted by the various doctors in attitudes like those of the poisoners in the Chamber of Horrors. There was one figure, that of Neil Cream, a gigantic man with a ragged beard and glasses, who stood for her behind every door in Harley Street. In fact, Jasmine was suffering now when she was twenty the kind of nervous distortions of imagination and apprehension through which most London children pass at about eight. And really, considering her experiences in England since she arrived from Italy, so many of them had to do with disease and death and madness that her morbid condition was excusable. When she was staying with Uncle Alec and Aunt Mildred she had been amused by Prince Adalbert, but now, looking back at that experience, she began to feel frightened, just as when one sees a ghost, one is more frightened when the ghost has vanished than when it is actually present.