The second motto was cut in stone, in Gothic letters and surrounded by arabesques, over the broad projecting window of the wife’s room, on the side of the building towards the street; the first was over the front door. The palms over the entrance gate were intended to call to memory the Palm Sunday on which Lepsius and his wife had been betrothed. The wish expressed in the first motto was fulfilled, for the house in Bendler Street was truly a temple of peace, under the visible favor of God. Until the growing city of Berlin laid claim to the broad extent of the beautiful garden and Lepsius felt himself forced to sell it, their house was the home of true love, intimate family life, steadfast reverence for God--in the man no less than in the wife,--and earnest, unwearied labor, as well as cheerful song and music, and a happy hospitality. The father of Lepsius died before the house was completed, but he was able to invite his mother to come and live with him “at Berlin, in the country.” However, the beautiful outlook “towards the canal and Schöneberg” was soon built up. The house was constructed in the English Gothic style, which he had learned to like in Great Britain, and which few understood as well as he (see page 131). To his delight, its pleasing appearance, with the slightly-pointed arches over windows and doors, and the balcony, with its Gothic parapet of sandstone, proved so attractive that, as he wrote to his mother: “our neighbor has also built in the Gothic style, and, indeed, two houses at once.” “I am to assist him with money,” he continued, “for the third, on the corner, and the man on the other corner will also build a Gothic house. That makes a whole Gothic quarter.” But how differently things turned out! The stately building which was to have been a home for remote descendants has vanished from the earth, and only a few traces remain of the Bendler Street Gothic. During the first years after they moved into the new house they improved every opportunity which offered to exhibit the beauty of the chosen style of architecture. When for example it was necessary, on account of any festivity, to “illuminate,” they lit up the whole front, and especially the large balcony, with little lamps which followed the lines of the arches.